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Brian Slattery |
Mar 21, 2024 11:44 am
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Portrait of a Lady — Spilling the Tea; La Artillería De La Reina — Gimme My Flowers Now; Nefertiti of House Nubia — Bamboo Earring Only 1 Pair.
Sandy Clafford’s trio of paintings take over the space near the window of the Institute Library’s upstairs gallery for the show “Look Book” — running now through May 23 in the Chapel Street library, with an opening reception tonight. They make a bold fashion statement, though not one that follows easy rules.
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Thomas Breen |
Mar 20, 2024 2:51 pm
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Tenant union leader Alisha Moore (center): "We deserve to be heard."
Lenox Street tenants union members joined hand in hand — or, at least, sign in sign — with labor and renter advocates to demand that megalandlord Ocean Management do what they did on Blake Street, and come to the collective bargaining table.
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Nora Grace-Flood |
Mar 19, 2024 4:25 pm
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Alex Ankrah and Josephine Bailey: Family Dollar is a top-dollar date space.
Mother and daughter Hinasta L and Celeste Burrell left Family Dollar with Rockin’ Protein, hand sanitizer, period pads and heavy hearts — as they prepared for potential closure of the only store in the city keeping their pockets lined with more than lint.
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Brian Slattery |
Mar 15, 2024 10:10 am
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Joan Marcus Photos
Rosato, Shipley, Wolf, Borsay in the new play at Yale Rep.
A group of women are talking together in a garden, under the shade of a tree. In the patterns of their speech, their ability to finish one another’s sentences, it’s clear they’ve been friends for years. But their conversation is about nothing serious. It’s just a way to spend an afternoon. Suddenly there’s a piercing sound, a blinding light, and the stage is plunged in darkness, the tree suddenly a stark silhouette against a roiling background. From one of the women, we get a report of calamity, of mass death, utter mayhem. The lights blind again, and we return to the sunlit garden, the four women still just talking as though nothing has changed. But something has changed.
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Nora Grace-Flood |
Mar 14, 2024 9:45 am
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Jim Blau during Wednesday's protest: "Love thy neighbor — respect our union."
Tenants of the Emerson Apartments returned to their residence after work Wednesday evening — not to wind down from the day, but to wind up their landlords’ energy to make their homes habitable again.
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Brian Slattery |
Mar 13, 2024 9:59 am
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Elicker and Little.
On Tuesday evening City Hall resounded with beats, verses, and reminiscences, as spoken-word artist Sharmont “Influence” Little was proclaimed New Haven’s first poet laureate.
1032 Chapel, now owned by Technolutions' Alexander Clark.
Technolutions photo
Megadonor Clark: "A young Beethoven on Red Bull."
A local tech CEO and ascendant “patron of downtown New Haven” plans to undertake a multimillion-dollar renovation of the Union League Cafe’s historic home — after buying the Chapel Street property from Yale for more than $4.3 million.
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Leo Slattery |
Mar 11, 2024 10:25 am
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Leo Slattery Photo
A lone child in a Rubik’s Cube hoodie stood in the middle of the small black box space at Witch Bitch Thrift on Saturday night, trying and failing with a kendama, a Japanese wooden ball and stick toy. Around him, people trickled in in groups of two or three, ready to see folk-punk acts Apes of the State, Myles Bullen, and Lars and their Lilac Ukulele.
The band members socialized, waving to the people they recognized and smiling and introducing themselves to those they didn’t. Everyone was dressed for the occasion: a sea of Doc Martens, work boots, and old sneakers. Pants, mostly black, usually dotted in patches of the wearer’s favorite bands. The magnum opus, an Apes t‑shirt from a previous tour. April, lead singer of Apes of the State, seemed equal parts flattered and fascinated by the appearance of her decade-old merch. The most diehard of fans wore battle jackets, a punk tradition of sewing handmade patches of bands onto a denim coat. The battle jackets at this particular show almost all had Apes of the State on them. It was standing room only, save for a chair left in the corner that people piled coats under. The chair itself remained empty, as if for Elijah the prophet.
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Karen Ponzio |
Mar 8, 2024 9:50 am
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Karen Ponzio Photos
Alexis Krasilovsky.
Thursday night the Yale Film Archive added two new jewels to their Treasures series: a new 35 mm print of Daisies, the 1966 Czech New Wave film directed by Vera Chytilova, and a new 16 mm print of End of the Art World, the 1971 documentary made by Alexis Krasilovsky while she was a senior at Yale. Celebrated with a free screening at the Humanities Quadrangle, the event was made even more special by the presence of filmmaker and writer Krasilovsky, who introduced the films and participated in a Q&A afterward.
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Nora Grace-Flood |
Mar 7, 2024 5:11 pm
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Partners in life and business, Jonathan Dolph and Hu Ping-Dolph: cheers to their newest restaurant.
Hot Pot is the name and aim of Hu Ping-Dolph’s latest New Haven revelation: a sit-down soup joint at 68 Whitney Ave. offering a steamy reprieve from the cold season.
Dawn Leaks Ragsdale (center), Yale VP Alexandra Daum & Mayor Justin Elicker.
A local champion of entrepreneurial equity has been chosen to to lead the New Haven-focused “Center for Inclusive Growth” that Yale promised to build in 2021 — and now will start trying to define two years later.
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Karen Ponzio |
Mar 4, 2024 9:20 am
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Ira Sachs and Brian Meacham in conversation at Yale.
“My husband doesn’t want to dance with me,” filmmaker Tomas says to Agathe, who’s fresh off a breakup with her boyfriend. “I’ll dance with you,” she says. She does. What comes after is a sort of dance between Tomas, Agathe, and Tomas’s husband Martin in Passages, the latest film from acclaimed writer and director Ira Sachs that was screened as part of the Yale Film Archive’s Treasures From the Archive series this past Friday night.
It was another special occasion there for two reasons: One being that the film was shown in 35 mm — the only copy of it in existence, made especially for YFA — and two being that Sachs himself, a 1988 graduate of Yale, would be there for the screening and participating in a Q&A afterward.
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Brian Slattery |
Mar 1, 2024 10:23 am
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DJ P-Zo name-checks the crowd in the alder chambers.
New Haven hip hop pioneer DJ Terrible T had some pointed questions for his audience at the Hall of Records at 200 Orange St.
“What are we going to leave behind? What is hip hop going to mean to this little girl right here?” he asked, gesturing toward an audience member. “We can sit up here and talk about who we’ve been and who we DJed and how long we did it. But if we don’t leave a permanent, positive impression on our future — our children — what have we really accomplished?”
The road to connectivity: Work begun on State Street bike lane.
Highlights from Wednesday's press conference.
The work of excavators mixed with officials’ visions of bustling downtown blocks Wednesday as New Haven started rebuilding a new stretch of State Street — or rebuilding a version of the old one.
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Nora Grace-Flood |
Feb 26, 2024 9:29 am
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Nora Grace-Flood Photo
Tenants Kenneth Naito, Alex Kolokotronis, James Blau celebrate formal recognition of their new union at the Emerson (pictured at top).
The city’s fifth tenants union has formed, marking the first time New Haven residents have organized formally to bargain with a property owner that isn’t megalandlord Ocean Management.
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Brian Slattery |
Feb 23, 2024 9:20 am
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Nicol-Blifford, Schuck, and Andersen.
New Haven Theater Company’s production of Cry It Out, by Molly Smith Metzler, is a finely tuned performance of a play about early motherhood that starts light and ends with surprising, affecting depth. It runs Feb. 23, 24, 29, and March 1, 8, and 9 at the company’s space inside EBM Vintage, 839 Chapel St.
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Brian Slattery |
Feb 22, 2024 9:41 am
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A giant squid seems to erupt from the floor of the gallery. Not far away, another wooden figure, more abstract, takes on a shape that could be leaning into the wood’s natural form and could have deviated far from it; from the finished product, it’s hard to say. Close by, there’s an abstract canvas with the contours of a cityscape, the hulking buildings rising from streetlights into darkness, all of it reflected in water. Unifying these works — by William Kent and Leo Jensen — are both the aesthetic sense of the era in which they were created and a more universal spirit of exploration. They’re what happened when the artists making them tried new things.
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Paul Bass and Laura Glesby |
Feb 16, 2024 2:54 pm
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Builder Clay Fowler (at center): Market's back, but construction costs rose too.
Paul Bass Photos
The vacant lot where a hotel is slated to rise.
A developer has revived the idea of building a hotel, rather than apartments, on the vacant lot that once housed Webster Bank. The city gave him some extra time to decide.
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Brian Slattery |
Feb 16, 2024 9:28 am
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Shaunda Holloway’s Nature’s Children greets viewers as soon as they enter the second floor of the gallery at Creative Arts Workshop. Over the shoulder of that piece, Aisha Nailah’s HERstands ready, like an ally. From the doorway, it’s easy to see that the pieces in the show, by multiple artists, share affinities in form and color, as well as subject matter. The diversity of the voices is vast. But they’re all in the same cause together.
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Brian Slattery |
Feb 14, 2024 9:23 am
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New Haven artist Sarahi Zacatelco.
On the walls of Atticus on Chapel Street, just above diners’ heads, is a row of mixed-media artworks that brighten and enrich the space, making it feel both more vibrant and more homey. But a closer look suggests complication, symbolism, layers of meaning.
As accompanying labels explain, the pieces are loaded with significance. The first encapsulates a prayer from the culture of the Huichol in Mexico for health, home, and a long life. In the second piece, the flower — associated with the Aztec deity Huitzilopochtli — was used to remedy fever and burns. The third represents the Aztec and Mayan god Quetzalcoatl and his abilities as a seer. It only gets richer from there.
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Donald Brown |
Feb 14, 2024 9:07 am
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Guevara, Stamm, and Ouf.
The 56th season of the Yale Cabaret, the audacious theater in the basement of 217 Park Street on Yale’s campus, is called “Sandbox.” The Cab’s team for the 2023 – 24 season — co-artistic directors Doaa Ouf, a projection designer, and Kyle Stamm, a lighting designer, both in their second year at the David Geffen School of Drama at Yale, and managing director Annabel Guevara, now completing her fourth year in theater management at DGSD — said “the mission of Cab 56 is to create theater that invokes a sense of curiosity and playfulness, giving artists permission to dig and unearth treasures within themselves.”
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Brian Slattery |
Feb 13, 2024 9:14 am
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It’s not just the large paintings covering the walls that suffuse the gallery with color, though they go a long way toward transforming the space around them by themselves. The balloons making their way around the gallery floor help out a lot, too. Even if the gallery is quiet — has a party just finished, or is one about to start? — they encourage a different way of engaging with the art, a little less formal, a little more festive. Maybe, in another sense, they help us let our guard down, and be more open to what the art has to say.
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Karen Ponzio |
Feb 13, 2024 8:58 am
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Qween Kong share the love.
While many were getting ready for the last big football game of the season this past Sunday, a local music series was getting restarted over on Elm Street, as Three Sheets welcomed back the first of its popular Unplugged shows in a long while. Presented by Booger Z. Jones in conjunction with series creator Sara Scranton, two bands — on this day, the New Haven-based Hell Fairy and Qween Kong — would present a selection of their songs in a more stripped-down fashion than usual, acoustic and accompanied by stories of how they were made and what inspired them.
