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Brian Slattery |
Aug 29, 2024 9:41 am
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Rappers, producers, and drummers came together at Cafe Nine on the corner of State and Crown Wednesday night to celebrate the release of a new album, and give a sense of how the underground hip hop scene connects New Haven and New York.
Ben Shattuck tells those dozen stories in his new collection called The History of Sound. The stories span three centuries. They interconnect in pairs — sometimes in passing, through an old painting or field recording buried under floor boards, sometimes more directly in traveling back in time to reveal the full story of a mystery that has been reinterpreted and rewritten by later generations.
In the process, Shattuck is telling us one story, about our legend-laden region of New England. And about telling stories, period.
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Karen Ponzio |
Aug 28, 2024 9:47 am
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The State House may be closed — but its music lives on, in recordings made of a wealth of live performances that happened during the much-loved former venue’s five-year run.
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Brian Slattery |
Aug 28, 2024 8:39 am
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They’re eyes, but they’re taking in a universe of shifting shapes and colors. The piercing structures of the irises only accentuate how the rest of the eyes are swimming with color. In the middle of each pupil is an astronaut, which throws the scale of the image into question. On one level, it’s all fun and inviting. On another, it’s disorienting. The astronauts could be exploring a colorful new dimension. They may also be in danger.
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Brian Slattery |
Aug 27, 2024 9:23 am
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Short chords from electric piano and synthesizer set the mood, contemplative but with a pulse. “Estoy aquí / ya estuve allá / ya fui feliz / y acaba mal,” Ene de Nadie croons — “I’m here / I was already there / I was already happy / it ends badly” — as the beat drops. The lyrics are full of longing and regret, while the music pulses on, the kind of song you can dance and cry to.
New Haven’s International Festival of Arts & Ideas announced in a Monday press release that Shelley Quiala will step down as executive director to take on the role of senior strategist for the arts organization.
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Karen Ponzio |
Aug 26, 2024 9:23 am
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On Saturday afternoon and evening the New Haven Zine Fest expanded beyond its usual Bradley Street Bicycle Co-Op location to the sidewalk outside, as well as other locations around East Rock, for artists and writers to share their zines, prints, creative activities, and more.
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Leo Slattery |
Aug 26, 2024 9:15 am
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Thirty vendors in a crescent surrounded a central green area. From the stage, a rotating selection of spoken word, music, and dancing was interspersed with an ongoing set from DJ Tunes. Off to the side of the stage, activities and crafts were available, including free tie-dyeing and a community banner. People of all ages darted around, chatting with vendors or people they recognized.
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Brian Slattery |
Aug 23, 2024 9:47 am
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Howard el-Yasin’s My Mother’s Hose hangs at one end of Orchid Gallery in The Lab at ConnCORP, redolent with associations without landing definitively on a single one. From a certain frame of mind, the associations can be literally visceral: with intestines, or for that matter, the products of intestines. It could also be sausages, however, or a balloon animal. Or, abstracted, it could be figures embracing one another. The associations multiply when we learn that the sculpture (as the name reveals) is made from pantyhose, but is stuffed with plastic, burlap, a boa, a cardigan sweater, and a cotton shirt. The sculpture is an act of preservation, but also transformation. There’s no one answer that brings it together.
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Brian Slattery |
Aug 22, 2024 9:28 am
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Ralph Levesque’s Match Maker, at first glance, looks like religious art, from the halo encircling one of the figures to the positions of the figures in relation to each other. We’ve seen the general idea before, in Christian medieval art. But the first glance proves deceiving, an overt meaning elusive. Who or what is the visage in the background? And why the faces on sticks? Are they mirrors? Portals? The title suggests that a transaction of some kind is taking place. But what? We don’t know what’s going on, but the sense of meaning, a belief system being enacted, remains.
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Brian Slattery |
Aug 20, 2024 9:26 am
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Bethany Edwards’s The Eye of the Beholder is both formal and relaxed. It’s formal in the staged positioning of the two subjects, the way that (it appears) they aren’t interacting with one another, and that one of them is interacting with the camera. But it’s relaxed in the apparent comfort the subjects have with the photographer. They’re told to stand still, but you can see the wheels turning in their heads, their personalities coming through.
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Karen Ponzio |
Aug 19, 2024 9:40 am
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The sky hanging over the New Haven Green may have been hazy Saturday, but to anyone attending the Black Wall Street Festival it was clear that this was the place to be.
Over 200 vendors dotted the lawn and lined up along Temple and Church Streets to offer a stunning variety of products and services — some to help treat your body, mind, soul, and spirit, some to help you look and feel good, and some to simply help you have fun under the summer sun.
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Eleanor Polak |
Aug 19, 2024 9:17 am
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Elm Shakespeare Company’s production of Richard III — running in Edgerton Park now through Sept. 1 — opens on a scene of warfare, complete with smoke, red lighting, and clashing swords. Then it transitions into a party, with swirling ribbons and joyful dancing. The titular Richard, Duke of Gloucester (Lisa Wolpe) feels much more at home in the former scene than in the latter. “Why, I, in this weak piping time of peace / Have no delight to pass away the time,” Richard proclaims bitterly. This is the key to his entire character, and in some senses, the play itself.
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Eleanor Polak |
Aug 16, 2024 8:39 am
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Sarah Groate’s photographs, Duke’s Arrival and Waiting at The Rainbow Bridge, married two of her great loves: photography and horses. Groate works at the CT Draft Horse Rescue, and she uses the horses there as both inspiration and the subjects of her art. “I just found that I loved photographing them,” she said. “They’re the true gentle giants.”
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Dereen Shirnekhi |
Aug 15, 2024 1:43 pm
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For the first time, WNHH’s Tuesdays @ the Mediterranea Cafe concert series featured a saxophone, a harmonica, and a golden trumpet — though the last wasn’t making any sound.
That didn’t keep Snake Hill Blues lead singer Vaughn Collins from taking the miniature instrument from around his neck, pressing his fingers to the keys, and letting the imaginary horn blare among the real, rightly-sized instruments surrounding him.
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Eleanor Polak |
Aug 14, 2024 11:33 am
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Outside the St. Mary Church at 5 Hillhouse Ave. stands a life-sized statue of the Blessed Michael McGivney, the founder of the Knights of Columbus and the patron of that parish. The sculpture has its arms outstretched, as if embracing everyone who enters the church, welcoming them in.
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Brian Slattery |
Aug 14, 2024 11:00 am
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Ariel Bintang’s pieces can be understood as abstractions of figurative landscapes. The color choices, of vivid greens, blues, and oranges, don’t happen much in the real world, and when they do, not in the way that Bintang uses them. But Bintang also deftly outlines recognizable features into the pieces — buildings, cliffs, rocks, islands, clouds — that show them as landscapes, reduced to their essentials and manipulated. It makes sense, as Bintang, like fellow artists Uzayr Agha and Ethnie Xu, is a graduate of the Yale School of Architecture. In “Mosaic,” the show running now through Aug. 25 at City Gallery, the three artists transfer their eyes for the landscape and the built environment around them to two-dimensional canvases.
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Dereen Shirnekhi |
Aug 13, 2024 2:35 pm
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Ponytails and pairs of glasses have been popping up all over parts of Dixwell and Newhallville, in a show of support for candidates in a race not many might typically pay close attention to — a summer primary for state representative.
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Karen Ponzio |
Aug 13, 2024 9:16 am
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What’s an arthouse film? Not unlike the cult film, it can draw in a certain type of cinephile that searches for an experience unlike the one you get from a blockbuster crowd pleaser. The arthouse film is typically independently made and is often experimental: sometimes cerebral, sometimes gut wrenching, sometimes both at once. Best Video — home to many of these films on VHS and DVD — is looking to share such experiences with others on Arthouse Sundays, a new monthly series that debuted this past weekend with the 1970 film Wanda.
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Karen Ponzio |
Aug 12, 2024 9:44 am
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Saturday was a scorcher throughout the city, but nowhere was it hotter than the New Haven Green, where the 2024 Puerto Rican Festival brought thousands to celebrate the culture with food, fun, and music.
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Brian Slattery |
Aug 12, 2024 9:20 am
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Ocean O’Connor Rosenberg is tearing up the stage with her friends, forming them into a human pyramid. She’s belting out an uptempo song at the top of her lungs. She’s gotten all her friends to support her — literally — but the song she’s singing, if you listen carefully to the lyrics ricocheting by, is actually about how much better she is than they are. Is it fair? Is it mean? Is it even true?
The answers are probably no, yes, and no. But on the other hand, can we really blame O’Connor Rosenberg for wanting to come out on top? She’s literally singing for her life.
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Karen Ponzio |
Aug 9, 2024 1:39 pm
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New Haven-style apizza arrived in East Rock Market last weekend as the East Coast outpost of a super successful Glendale, Ca. location. Wait — New Haven apizza from L.A.? Yes, indeed.
Ozzy’s Apizza, which started in the West Coast kitchen of CT native Chris Wallace and made its way from pop up to mainstay in Los Angeles is now a part of Goatville. Pies with names like The Liotta, The Swanson, and The Bada Bing are already hits on the other side of the U.S. Now co-owners Wallace and Craig Taylor are hoping to become an integral part of their home state’s scene.
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Eleanor Polak |
Aug 9, 2024 9:41 am
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Howardena Pindell had already created the spiraling mess of oranges, yellows, blues, and greens, footprinted with red arrows indicating the path of the swirls, when she realized that the lithograph resembled a hurricane tracking map. She titled the piece Katrina Footprint, memorializing the over 1,800 people killed by Hurricane Katrina in 2005. What was once a relatively simple design of colors and shapes became a political statement. In hindsight, it feels as if the politics were already embedded in the art. Pindell only had to bring them to the surface.
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Eleanor Polak |
Aug 9, 2024 9:26 am
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“Hellooo!” called out John O’Donnell, in an exaggerated, almost Cookie-Monster-like voice.
“Hellooo!” called back the crowd, matching his energy and tone. It was weird, wacky, and wildly entertaining, setting the tone for Weird Music Night, a monthly event at the Ely Center of Contemporary Art on Trumbull Street. Attending the event felt like walking through a cabinet of curiosities, as the audience shifted from room to room and experienced a series of acts that were as odd as they were incredible.