Visual Arts

Degrees Of Separation Overcome

by | Oct 6, 2016 8:08 am | Comments (0)

Allan Appel Photo

Mines’s “The Evolution of David,” mixed media.

More than a dozen years ago the abstract nature photographer Hayward Gatling had not shown any of his work. Many of his friends didn’t even know he was a photographer.

Until his then-girlfriend threw a surprise party for him, in which his works were to be displayed. He tried to resist even that, but I couldn’t back out or I’d be a total ass,” he said.

Many of the compositions, however, sold, and Gatling’s artistic life changed forever.

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City Wide Open Studios Brings Its A-“Game”

by | Sep 21, 2016 8:17 am | Comments (2)

Artist Bob Gregson wore an enormous yellow foam puzzle piece around his waist to Barcade on Orange Street Tuesday afternoon. Next to him, reporter Cassandra Basler of WSHU wore a similar blue puzzle piece.

We have to decide which area we’re going to connect,” Gregson said. They chose the corner of Basler’s piece, which, with some encouragement from Gregson, fit into the side of Gregson’s piece.

That was part of the design of it,” Gregson said. How would we connect?”

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Art In Back, Music In Front At 3 Sheets

by | Sep 16, 2016 12:02 pm | Comments (0)

Luis G. Luna’s photos hanging in the backroom in Three Sheets.

The back room at Three Sheets buzzed as people played pool, drank craft beer and $3 Narragansetts, and looked at two series of newly-hung photographs. One one wall, there was a series of framed portraits, mostly black and white: a man in a pea coat crossing the street, a bearded older man in Egypt. On the other were smaller snapshots, mostly of landscapes, urban and rural — but only slices of them, framed by a dashboard or the top of a table.

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YCBA Investigates The Truthiness Of Cannon Fire

by | Sep 14, 2016 8:26 am | Comments (1)

Yale Center for British Art Photo.

“Shipping in the English Channel,” 1755, oil on canvas, YCBA, Paul Mellon Collection.

Make me standing about the 3[rd] rowlock and three men in the bow wounded and one killed. One fellow striking me with oar, another trying to bayonet me.”

That’s how one young officer in His Majesty’s Navy — who later became arctic explorer Sir John Ross — asked artist Nicholas Pocock to portray him in a sketch for a painting illustrating the 1805 battle in which he had been wounded.

True? False? Or somewhere in between, in the self-aggrandizing manner of a constructed story?

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Rebellion Revealed

by | Sep 12, 2016 11:06 am | Comments (0)

Official exhibition logo

Half the students studying at Yale in 1830 were summarily expelled for one grievous, not-to-be-tolerated offense: They refused to accept or use the blackboard — the new technology that was being introduced to teach math. That event — the biggest student revolt that Yale had experienced to date — went down in history as The Conic Sections Rebellion.

That fact emerges in An American Orientalist: the Life and Legacy of Edward E. Salisbury (1814 – 1901),” a fascinating new exhibition in the memorabilia room of Yale’s Sterling Memorial Library.

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Dead Man’s Chest

by | Sep 6, 2016 11:53 am | Comments (0)

Yinka Shonibare, “Fake Death Picture,” now on display.

Inside a gallery on Chapel Street, there’s a dead man draped on a bed in a dark room, a bottle of poison on the floor near his limp hand. Shredded papers spill from a box nearby.

There’s also a dead man in another bed, this time a gun in his hand, the neat self-inflicted wound in his side.

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Sandy Hook Mural Salves Unspeakable Wounds

by | Sep 2, 2016 12:13 am | Comments (0)

Reynolds’ Sandy Hook Flock, oil on linen. Photo courtesy of Robert Reynolds.

The inspiration for Robert Reynolds in designing a mural for the new and newly opened Sandy Hook Elementary School was a long time in coming.

Fifteen years ago on an overcast day, the New Haven gallery owner and fine artist stood on Middleburg Beach in Holland with his then girlfriend as he received bad news of her medical status; stage 4 cervical and ovarian cancer. Moments later, Reynolds recounted, a flock of sea birds descended, enveloping the couple in what seemed a protective gesture and hopeful sign.

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A Library Becomes A Museum

by | Aug 26, 2016 8:15 am | Comments (0)

Duo Dickinson Photo

The library, before reopening.

Set to reopen to the public Sept. 6, Yale’s Beinecke Rare Book & Manuscript Library, built not only to house books but to glory in their beauty and physical presence, is at a crossroads. Will the stacks, designed as a celebratory exhibit in a glass inner cube for all who enter, take on a different life in an increasingly digital age?

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Randomness Strikes Again At Arts Council

by | Aug 25, 2016 8:10 am | Comments (0)

Allan Appel Photo

Into the hat dropped the 600. The brave, the anonymous 600.

Not the soldiers of Alfred Lord Tennyson’s Charge of the Light Brigade, which poem of my youth I simply can’t can’t eradicate from an echoing memory; the 600 or so artists of all media and levels of experience, who are members of the Arts Council of Greater New Haven.

Curator Debbie Hess wrote their names on small slips of paper and dropped them in a hat, both literal and figurative. The hat, once again, was Dr. Seussian and purple.

Then out came the names of 16 artists who comprise Shuffle & Shake,” the two-part show of artists randomly chosen to show their work in the last exhibit of the summer at the council’s Sumner McKnight Crosby Jr. Gallery on Audubon Street.

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Come To Their Window

by | Aug 11, 2016 12:50 pm | Comments (1)

Courtesy The Grove

The Grove coworking space on Chapel Street has new tenants living by its downstairs window. Close to 65 of them, and growing.

After moving in quietly at the beginning of this month — just a few at a time, until suddenly they packed the space, in plain view during the day and well into each night — they have begun to attract an audience, shimmering scale-like in the sunlight before growing a little despondent when the sky clouds over or dusk falls. 

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Oh Yeah! That Was Your Design, Not Ours

by | Aug 8, 2016 8:11 am | Comments (3)

Aliyya Swaby Photo

Dakoulas with designs allegedly taken by Zara’s.

Dakoulas’ post last week.

Alex Dakoulas recognized the cursive letters outlined in orange and blue on major clothing retailer Wet Seal’s website, and realized: his store had been ripped off.

Wet Seal was selling an iron-on patch that used the exact design of independent artist Vaughn Fender — an exclusive design found only at Dakoulas’ store Strange Ways in Westville.

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Students Make Artspace Their “Kingdom”

by | Aug 4, 2016 8:16 am | Comments (0)

Chris Randall Photos

Summer apprentices, lead artists, and Curator Sarah Fritchey.

The exhibition Stages and Kingdoms of Exile” — the latest annual installment in which high-school artists take over Artspace, this year until Sept. 10 — was the culmination of the students’ work over three weeks with lead teaching artist and acclaimed painter Wardell Milan as part of Artspace’s 2016 Summer Apprenticeship Program (SAP).

In addition to cultivating New Haven’s emerging visual art talent, the program helps groom the city’s crop of burgeoning actors and playwrights; these students were taught and mentored by hip hop poet and playwright Aaron Jafferis, Executive Artistic Director Dexter Singleton of Collective Consciousness Theatre, and Jeremy O. Harris, an incoming playwriting student at the Yale School of Drama.

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Windows On A Shameful Past

by | Jul 25, 2016 12:11 pm | Comments (9)

This window panel remains in Calhoun College.

Now-gone panel.

Twenty-seven shards of glass: That is what remains of a stained-glass pane at Calhoun College depicting slaves picking cotton after Corey Menafee, an African American employee at Yale University, knocked it down with a broomstick. Mr. Menafee explained his act with great clarity, stating that “… I don’t know, something inside me said, you know, that thing has to come down … It was a picture that just — you know, as soon as you look at it, it just hurts.”

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