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Karen Ponzio |
Apr 29, 2024 9:42 am
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"Addiction."
The arts and sciences, the movement and stillness, the rhythm of breath and step: on Saturday afternoon, all came together in the performance space at St. Paul and St. James Episcopal Church on Olive Street for Creative Circle, a delightful dance and music performance that saw two dance companies — the New Haven-based kamrDANCE and the New York-based SYREN Modern Dance — engage each other as well as the audience in their latest works in progress.
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Dereen Shirnekhi |
Apr 26, 2024 10:05 am
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Waxahatchee at Toad's Place.
“I’ve been yours for so long / We come right back to it.”
It was a refrain I’d heard maybe hundreds of times at that point, the croon of Katie Crutchfield’s voice and the banjo backing her committed to memory. But Thursday night, as I heard it live and sang along with a crowd filling up Waxahatchee’s sold-out show at Toad’s Place, the song felt new.
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Brian Slattery |
Apr 26, 2024 8:45 am
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Goodheart, Tassi, Morosco, Power (clockwise from top left).
Theater artist Terri Power discovered Shakespeare in high school, finding Lady Macbeth “extraordinarily powerful and sexual,” she said. Their teacher asked the class to memorize passages to perform in class. Power dressed in a long black turtleneck and sweater and skirt and delivered a monologue in which Lady Macbeth taunts her spouse: “I have given suck, and know / How tender ’tis to love the babe that milks me. / I would, while it was smiling in my face, / Have plucked my nipple from his boneless gums / And dashed the brains out, had I so sworn / As you have done to this.”
Her teacher sent Power to the principal’s office, where he then argued to the principal that she should be suspended for “revealing her breast.” The principal, looking at Power’s wardrobe, wondered exactly how Power would have done this. The teacher dialed it back: “She said things,” he said.
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Allan Appel |
Apr 25, 2024 8:54 am
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Michael Ortiz before diorama evoking Connecticut's Long Island shoreline.
“Absolutely magnificent,” eighth grader Michael Ortiz marveled at a representation of the Connecticut shoreline with its marshes, night herons snagging fish, and dozens of other labeled flora and fauna — all as part of one of the newly reopened state history dioramas at the freshly renovated Yale Peabody Museum.
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Brian Slattery |
Apr 25, 2024 8:52 am
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Sketch Tha Cataclysm at Three Sheets.
“Hello several people, rap professionals, and various cool people,” said Sketch Tha Cataclysm from the Three Sheets stage, as he and fellow New Haven hip hop stalwart Mo Niklz hosted a group of touring artists from Chicago for a night of high-energy indie hip hop.
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Brian Slattery |
Apr 22, 2024 1:11 pm
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At the New Haven Composers Spotlight at NXTHVN.
Composer and violinist Alyssa Chetrick was taking a solo as part of her vertiginous piece, sardonically titled “Equilibrium.” If some of the previous passages had offered a sense of calm, Chetrick was now going for chaos, spurring the ensemble around her to join her. Her phrasing pushed the musicians around her to dig deeper into the music she’d written, as if they were looking to break it. Would they?
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Brian Slattery |
Apr 22, 2024 11:13 am
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Amartya De
Sequoia.
The photograph is from northern California, and photographer Amartya De said it was his roommate’s favorite of his pictures at the time because “it shows the landscape.” It was a city, but not really a city; it was a place close to the redwoods. De was there from Calcutta, learning how to become an artist, and learning that the practice of making art and the practice of surviving weren’t all that different.
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Karen Ponzio |
Apr 22, 2024 11:00 am
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The Creature descends on Best Video.
The Giant Behemoth and a creature from beneath the sea stood side by side with Betty Boop, Jimmy Stewart, and a New Jersey couple celebrating their 25th wedding anniversary as Best Video Film and Cultural Center hosted a screening of 8‑millimeter films projected and presented by Quinnipiac University’s Women in Films president Julia Schnarr.
Sunday evening saw an intimate gathering of enthusiastic film professors, students, and fans at the Whitney Avenue movie lover’s mecca taking in seven short films, six from Schnarr’s own collection and one belonging to Best Video.
Sam Carlson broke a string as he tuned up his Guild D‑50 acoustic guitar to perform live on radio. But no worries — he had a backup Guild M‑20 with him as well.
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Brian Slattery |
Apr 12, 2024 9:33 am
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Joy Bush photo
Bethlehem.
It’s the shape of an ancient Middle Eastern cityscape, verandahs and towers, arched doorways and windows like peeping eyes. But it’s not anywhere near the Middle East; it’s on a rock hilltop in Waterbury, and it’s part of Holy Land USA — to some, a roadside attraction, to others, a place of serious pilgrimage, and for Joy Bush, the subject of an almost 40-year-long series of photographs.
Some of those photos are up now at City Gallery in a show called “Ruins of a Holy Land,” running through April 28, with a reception on April 13.
In the backroom lounge of Mediterranea Cafe, among centuries-old hookah pipes and patterned cushions, a fairy rising from the Underworld sang about darkness — and love, too.
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Brian Slattery |
Apr 11, 2024 9:51 am
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Marco Benevento.
In front of a packed house that was ready to have fun, two touring acts at Space Ballroom — the New York City-based Ghost Funk Orchestra and the Woodstock, N.Y.-based Marco Benevento — brought humor, relaxation, and armfuls of danceable beats to the Hamden club on Wednesday night.
“The astounding story of an astounding military plot to take over the United States! The time is 1970 or 1980 or, possibly, tomorrow!”
Thus reads the tagline to the political thriller Seven Days in May, the first entry in April’s Tuesday night film screening series at Best Video. Last night an engrossed crowd took in the John Frankenheimer-directed and Rod Sterling-penned 1964 classic, based on the novel written by Fletcher Knebel and Charles W. Barley II and published in 1962.
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Asher Joseph |
Apr 10, 2024 9:19 am
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Kenneth Joseph on the steel pans.
Music lovers young and old found their seats with the help of the early evening sun, the only source of light in the dark gymnasium of the Q House.
The space would not remain dark for long, however, as the Dixwell Community Management Team’s (DCMT) “Jazz & Contemporary Music Concert” lit up the space with singing, saxophones, and selections from various poets.
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Karen Ponzio |
Apr 9, 2024 9:02 am
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A still from La Practica.
On Monday night Yale Film Archive’s Cinemix series offered a selection that exemplified its description of itself as “stand alone screenings of standout films.” La Práctica (The Practice) — the latest from Argentinian writer/director Martín Rejtman — is the story of a yoga instructor’s interactions with students old and new as he maneuvers his way through his ever-changing world. Presented in conjunction with the Latino and Iberian Film festival at Yale (LIFFY), the event included a post-film Q&A with Rejtman, moderated by LIFFY’s founder and executive director Margherita Tortora.
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Brian Slattery |
Apr 8, 2024 12:45 pm
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Blick Bassy.
A triple bill at Cafe Nine on Saturday Night headlined by Cameroonian touring artist Blick Bassy featured two younger New Haven acts who tipped their hats to those older than they were, even as they showed everyone in the room that the future of music in the Elm City is in safe hands.
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Brian Slattery |
Apr 8, 2024 9:06 am
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Voices filled the space of Bethesda Lutheran Church on Sunday afternoon, raised in song. But the harmonies weren’t what many may have been used to in a church; they were sharper, more angular, provoking of thought. Nor was the text from the Bible; it was a dispatch from halfway around the world, from the present day.
“We sense something grave is happening around us. We don’t know what the future holds,” the choir sang. “The land we tilled for generations is shrinking; salt water poisons what’s left of our fields. Many people have gone, displacement and death everywhere.”
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Karen Ponzio |
Apr 5, 2024 11:25 am
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Still from Within Our Gates.
As Yale Film Archive launches into the last quarter of its 2024 spring semester programming, it offered something a little different on Thursday evening: silent films that each had a special distinction.
The first, presented in conjunction with the Beinecke Rare Book and Manuscript Library, was a selection of Solomon Sir Jones Films from 1924 to 1928 that are currently a part of the library’s holdings. The second was a showing of Within Our Gates, a 1920 film written, produced, and directed by Oscar Micheaux; it’s the oldest known surviving film with a Black director. One more bonus: both films on this evening were accompanied by live music, played by pianist Donald Sosin.
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Brian Slattery |
Apr 5, 2024 9:15 am
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Mistina Hanscomb Photo
Klein.
“Shapes of the Things to Come,” from The Quiver — the new album from In These Trees (a.k.a. New Haven-based musician Binnie Klein) and Australian musician Tartie — begins with a searching guitar, heading somewhere, building atmosphere as it goes.
Bass tones ground it, setting Tartie’s direct, emotive voice free. “Life’s not a road, it’s an alley / We try to fit inside,” Tartie sings. “Every day we set the ground / Stretched end to end / But we can bend / Move with me / Through the new shapes / Of the things to come.” The words are by Klein; the music by Tartie, and The Quiver is the result of years of work, 10,000 miles apart.
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Laura Glesby |
Apr 4, 2024 4:18 pm
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Lunch is self-served.
After a single bite, I realized I had ordered the wrong entree at IKEA. The “veggie balls” were a blank slate: a mush of chickpeas, carrots, peppers, and other veggies I usually enjoy, mashed and blended until they amounted to something almost as thoroughly bland as the cauliflower rice I got on the side.
