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Brian Slattery |
Feb 14, 2024 9:23 am
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New Haven artist Sarahi Zacatelco.
On the walls of Atticus on Chapel Street, just above diners’ heads, is a row of mixed-media artworks that brighten and enrich the space, making it feel both more vibrant and more homey. But a closer look suggests complication, symbolism, layers of meaning.
As accompanying labels explain, the pieces are loaded with significance. The first encapsulates a prayer from the culture of the Huichol in Mexico for health, home, and a long life. In the second piece, the flower — associated with the Aztec deity Huitzilopochtli — was used to remedy fever and burns. The third represents the Aztec and Mayan god Quetzalcoatl and his abilities as a seer. It only gets richer from there.
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Donald Brown |
Feb 14, 2024 9:07 am
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Guevara, Stamm, and Ouf.
The 56th season of the Yale Cabaret, the audacious theater in the basement of 217 Park Street on Yale’s campus, is called “Sandbox.” The Cab’s team for the 2023 – 24 season — co-artistic directors Doaa Ouf, a projection designer, and Kyle Stamm, a lighting designer, both in their second year at the David Geffen School of Drama at Yale, and managing director Annabel Guevara, now completing her fourth year in theater management at DGSD — said “the mission of Cab 56 is to create theater that invokes a sense of curiosity and playfulness, giving artists permission to dig and unearth treasures within themselves.”
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Brian Slattery |
Feb 13, 2024 9:14 am
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It’s not just the large paintings covering the walls that suffuse the gallery with color, though they go a long way toward transforming the space around them by themselves. The balloons making their way around the gallery floor help out a lot, too. Even if the gallery is quiet — has a party just finished, or is one about to start? — they encourage a different way of engaging with the art, a little less formal, a little more festive. Maybe, in another sense, they help us let our guard down, and be more open to what the art has to say.
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Karen Ponzio |
Feb 13, 2024 8:58 am
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Qween Kong share the love.
While many were getting ready for the last big football game of the season this past Sunday, a local music series was getting restarted over on Elm Street, as Three Sheets welcomed back the first of its popular Unplugged shows in a long while. Presented by Booger Z. Jones in conjunction with series creator Sara Scranton, two bands — on this day, the New Haven-based Hell Fairy and Qween Kong — would present a selection of their songs in a more stripped-down fashion than usual, acoustic and accompanied by stories of how they were made and what inspired them.
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Lisa Reisman |
Feb 12, 2024 9:13 am
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David Daniels at author talk at Stetson Library.
The Sunday, Aug. 21, 1994, edition of the Connecticut Post pictures a young Black man in police blues holding a hangman’s noose. The man was David Daniels, a police officer. The noose was left on his patrol car.
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Karen Ponzio |
Feb 12, 2024 9:05 am
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James Ivory and Brian Meacham
Friday night’s installment of Yale Film Archive’s The World of James Ivory series offered another type of double feature: a viewing of the 1965 film Shakespeare Wallah, followed by a Q&A with the series’ namesake, James Ivory. Fans of the legendary director, who gifted the Archive with selections from his personal film collection in 2023, were treated to the 35mm version of Shakespeare in all of its black and white glory, in the presence of Ivory himself. Afterward, they had the opportunity to hear Ivory discuss the film with managing archivist Brian Meacham, and ask him questions of their own.
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Karen Ponzio |
Feb 12, 2024 8:58 am
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Members of the Urban Life Experience Book Discussion group.
As the temperature outside edged close to 60 degrees on Saturday, a warm and invigorating meeting of minds and hearts came together inside the Wilson branch of the New Haven Free Public Library for 2024’s first monthly installment of the Urban Life Experience Book Discussion Series.
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Nora Grace-Flood |
Feb 9, 2024 4:50 pm
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This reporter's favorite student as seen during Friday's Davis magnet school pep rally.
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Ernie's owner Pat DeRiso tries to get orders out for delivery while reporters hound him about National Pizza Day.
A plethora of pizza, pom-poms and politicians flooded Upper Westville Friday morning amidst a pair of symbiotic popularity contests – in which every party was a winner.
The slices of of za and strings of plastic were featured in two separate city celebrations taking place around the corner from one another.
Over at Davis Academy, students screamed out of ostensible excitement or, perhaps, excess energy as their principal announced that both The Magnet Schools of America and the University of Connecticut have recognized the school for “innovative excellence.”
Down the street on Whalley Avenue, politicians and thin-crust fanatics packed like anchovies inside Ernie’s Pizzeria for National Pizza Day and a proclamation by the governor naming New Haven the “Pizza Capital of America.”
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Brian Slattery |
Feb 9, 2024 9:07 am
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Suzu Sakai on the Shubert set she designed.
A member of the stage crew was doing some last-minute cleanup of the set at the Shubert, in preparation for a rehearsal of Yale Opera’s The Rake’s Progress, the opera by Igor Stravinsky set to run at the venerable College Street theatre Feb. 17 and 18. At first glance, it may have looked like he was vacuuming a vast Persian rug. A second glance, however, might show the design on the floor for what it really is: the back of an enormous playing card. More than just an arresting visual pattern, the scintillating floor is part of a set design decision that, for the opera’s director, was the key to opening up Stravinsky’s work to better connect with audiences.
Developers returned to the City Plan Commission with a promise: If they get permission to transform a Shelton Avenue industrial building into self-storage units, the artists currently working there can stay.
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Brian Slattery |
Feb 8, 2024 9:16 am
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Dallas Ugly Wednesday night at Cafe Nine.
Cafe Nine on Wednesday night was the scene for delicate ballads, bright harmonies, and gritty rhythms as three bands — Pyramid Rose, Dallas Ugly, and the Split Coils — played sets with passion and commitment to the cause of country, rock ‘n’ roll, and keeping live music rolling in the Elm City.
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Brian Slattery |
Feb 7, 2024 9:07 am
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Rodgers.
Performers and audience members arrived at Cantean on Whitney Avenue in Hamden en masse Tuesday evening before the posted start time of 6 p.m., quickly filling the space and the open mic’s sign-up sheet. Each performer had enough time for two songs. Host Steve Rodgers announced that he had “two and a half rules.” First, the songs all had to be originals. Second, audience members had to keep quiet for the performances. And third (Rodgers was joking about the “half”), everyone should remember to support Cantean by buying food and beverages.
“Any more rules?” someone in the audience said.
“Play good music!” someone else said, to laughter.
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Karen Ponzio |
Feb 7, 2024 9:00 am
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Kathleen Turner in a scene from Serial Mom.
In a scene early in the film Serial Mom, Beverly Sutphin (played with deadly perfection by Kathleen Turner) kills a fly that has intruded upon her loving family’s breakfast. The dead bug is then shown close-up in all its sticky, gory glory, insides exposed to the world. That scene sums up the 1994 John Waters cult classic shown last night as the first entry in Best Video’s February film series, which follows the theme “Til Death Do Us Part,” highlighting four movies that explore dysfunctional relationships.
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Brian Slattery |
Feb 6, 2024 10:00 am
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William Frucht
From the series Coney Island.
WIlliam Frucht’s photograph from Coney Island combines rigor and humor to make for an engrossing image. On the rigorous side, there’s the strict geometry of the workout equipment, the thin band of ocean separating tan sand from slate sky. On the humorous side, there’s something entertaining about the poses; they’re exercising, but they’re also like kids on playground equipment. More generally, there’s the juxtaposition of the handful of people working out with the multitudes in the background lounging in the sun. For every person working to get their heart rate up, there are 10 more who maybe think they’re trying too hard.
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Karen Ponzio |
Feb 5, 2024 9:21 am
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A scene from "Queen of Katwe."
How does a young girl from Uganda go from beginning chess player to champion? Disney’s Queen of Katwe documents the journey from one to the other as well as the struggles and triumphs in between. The 2016 film was the first entry in this month’s “Free Film Fridays: From Stage to Screen: Celebrating Black Yale School of Drama Alumni” at the Ives branch of the New Haven Free Public Library.
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Brian Slattery |
Feb 2, 2024 9:17 am
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Gregory Crewdson
Untitled (from the series Beneath the Roses).
Gregory Crewdson’s arresting photograph is nearly five feet tall and eight feet across, large enough for a viewer to get completely engrossed in the details. The scene at its most basic is simple enough: A man standing by a river bank, shirtless; a makeshift shack behind him, lit from the inside; beyond a stand of trees, a row of houses.
But the mood, the lighting, and the details all set the wheels for any number of stories in motion. Does the man live in the shack? Or does someone else? Or does anyone? Do the people who live in the houses know someone’s down there by the river, or is the man truly isolated? And what has brought him to the water’s edge at night? Is he lost in contemplation? Is he waiting for someone else to arrive? Or, perhaps, is he watching intently as something’s happening, maybe on the opposite shore, maybe in the water itself? Maybe this is actually a scene of ferocious action, only just out of frame.
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Brian Slattery |
Feb 1, 2024 9:00 am
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The Afro-Semitic Experience.
“Unity in the Community” begins with a classic hymn-like statement from Warren Byrd’s piano, carried aloft by a chorus of voices, bubbling bass and percussion, and horns passing a joyous melody from one bell to the next. “Why don’t we come together?” Byrd sings. “Why do we got to fight? / Let’s be like sis and brother / who finally got it right.”
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Maya McFadden |
Jan 30, 2024 12:03 pm
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Junior Klever Chilel practices omelet making.
Friday's fresh blackberry scones and brown sugar banana muffins.
Genesis Correa flipped a farmer’s omelet onto the grill, Damani Wheeler cut thick slices of ciabatta toast, Klever Chilel delivered the fresh off the grill breakfasts, and Tracey Salazar poured customers of the Wilbur Cross Bakeshop a cold cup of fresh grapefruit juice.
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Brian Slattery |
Jan 30, 2024 9:09 am
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New Haven Improvisers Collective.
It was 7:30 p.m. on Monday at Never Ending Books, and Bob Gorry of the New Haven Improvisers Collective had a few instructions for the musicians gathered in the room.
The collective always started with the same exercise, of playing long tones together, “whatever that means on your instrument,” Gorry said. “It’s very important for listening and for figuring out the room. It’s really important that you hear everybody.”
The idea was to play a tone as long as possible, then pause and play another, while listening to everyone else. “If you can’t hear someone,” Gorry said, “play quieter.”
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Karen Ponzio |
Jan 30, 2024 9:00 am
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The Haints.
Are you the type of music fan who wishes there were more shows that started before 8 p.m., but wants the feel of a late Friday or Saturday night out? Are Sunday brunches too early for you, but you also don’t want to stay out too late? Three Sheets has something perfect for you the last Sunday of every month: a matinee that promises you an onslaught of punk music that is at just the right time for the late-to-rise-on-the-weekend, early-to-bed-for-work-on-Monday crowd.
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Karen Ponzio |
Jan 29, 2024 9:05 am
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IfeMichelle Gardin offers gratitude.
The Bricks in Hamden was the place to be on Saturday night, as literature fans gathered to fete author and civil rights movement icon James Baldwin — and the beginning of a year’s worth of programming based on his works — helmed by IfeMichelle Gardin and her Kuturally Lit organization.
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Brian Slattery |
Jan 29, 2024 8:55 am
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Mixed Company.
The band Mixed Company was doing its take on Abbey Lincoln’s “Throw It Away,” and the sound snapped into focus in the first chorus: “Throw it away / Throw it away / Give your love, live your life / Each and every day / And keep your hand wide open / Let the sun shine through / ‘Cause you can never lose a thing / If it belongs to you.”
Michael Carabello on keys, Conway Campbell, Jr. on bass, and Jonathan Barber on drums set up a strong and sultry rhythm. Taylor McCoy’s voice floated over the top.
Those in Jazzy’s Cabaret on Friday night stopped talking, paused over their meals, to listen. It was as if a signal had been sent across the room to pay attention to what was going to be a great night of songs.
