Theater

“Black Nativity” Reborn

by | Dec 20, 2013 2:12 pm | Comments (0)

Allan Appel Photo

Yarbor in rehearsal.

For more than 30 years Black Nativity, the Christmas story set to a Langston Hughes’ text with African-American liturgical music performed by local choruses, had been a New Haven tradition, most recently performed at Long Wharf.

Then it stopped, seven years ago.

Now two local musical families and area professionals lWes Yarbor, who has performed with the Alvin Ailey American Dance Theater, are combining their graceful moves into a new production designed to endure for decades to come.

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Out of the Flying Pan

by | Dec 19, 2013 2:36 pm | Comments (0)

CHRISTOPHER ASH PHOTO

You may think you know Peter Pan. He’s a flying boy, usually played onstage by a grown woman, who takes a girl named Wendy to an enchanted land where there are pirates and alligators and no mothers. But it’s no pie-in-the-sky lark. This is a harrowing tale of abandoned kids and the hazards they endure on a daily basis. It’s a story of survival and eternal hopefulness.

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This Time, It’s No Accident

by | Dec 10, 2013 12:38 pm | Comments (0)

Before, I didn’t get it. Now there’s something to get.

A world-famous, Nobel-winning radical buffoon (in the best sense) who has mastered a centuries-old tradition of socially conscious clowning has been newly interpreted by a team who have pursued a particularly modernized form of classical European comedy at Yale for years.

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That ‘80s Show

by | Dec 6, 2013 12:24 pm | Comments (0)

T. Charles Erickson Photo

In 1987, two theater productions from New Haven’s dynamic, world-class regional theater scene moved to Broadway and won Tony Awards. One was August Wilson’s Fences, which had been developed at Waterford’s Eugene O’Neill Theater Center and then had its world premier production at the Yale Rep. The other was Long Wharf Theater’s revival of Arthur Miller’s All My Sons.

Twenty-five years later, it’s the Long Wharf that is doing Fences, on a set which could serve equally well (better, even) as the set for All My Sons. The whole production, in fact, is more in keeping with a mid-20th melodramatic style than the distinctive, visceral yet lyrical modern theatrical style which August Wilson brought forth in the 1980s.

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New Owners Have Big Plans For Stony Creek Theater

by | Dec 3, 2013 1:36 pm | Comments (0)

Click here for a report on plans for a new 120-seat venue as the theater’s second century begins.

The Great Divide, Crossed

by | Dec 3, 2013 1:02 pm | Comments (0)

Occupy Wall Street and its local progeny, Occupy New Haven, have long since disappeared from the public consciousness. We are no less a divided nation (or region) than we were when the movement started in 2011.

The Occupy movement was on my mind as I navigated the world as experienced by the lowest portion of the 99 percent” during a recenCrossint poverty simulation at Southern Connecticut State University. It came up again that evening when the Occupy New Haven encampment on the Green was mentioned in the Yale Cabaret’s premiere production of Derivatives, Jabari Brisbort’s exploration of the income gap’s impact on people in New Haven. One character saw the encampment as little more than a well-intentioned tented folly that had damaged the Green.

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Actor Steps Into Star Role, Sight Unseen

by | Nov 27, 2013 1:10 pm | Comments (1)

Allan Appel Photo

Esau Pritchett is Mr. Othello, having played Shakespeare’s great tragic hero nine times and counting. Yet he has never seen the Shakespeare’s great tragedy acted on a stage. Any stage. Anywhere.

Pritchett takes the stage in New Haven Wednesday night to step into another huge role, the embittered yet noble Negro Leagues ball player Troy Maxson in August Wilson’s Fences. He has never seen that play either.

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A New Generation Revisits Black Fathers’ Love

by | Nov 22, 2013 3:00 pm | Comments (0)

Allan Appel Photo

Brooks, Stetson’s Diva Book Club prez, speaks Wednesday night.

Black fathers of the 1950s may have experienced such pain they never said, I love you,” but at least they supported their children, even those born out of wedlock. Young men today just puff out their chests at how many babies they make, and take a walk.

Sharon Brooks made that real-life argument as she and others at Dixwell’s Stetson Branch Library applied a play’s lessons to their community’s real life.

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Hang In There

by | Nov 14, 2013 1:47 pm | Comments (0)

Allan Appel Photo

Jenny Schuck as Glory and Christian Shaboo as East in “Her Heart,” Almost, Maine’s first tale.

A literal broken heart in a brown lunch bag clatters when shaken. Inside duffel bags, all the love you’ve given look like piles of red clothing stuffed inside large laundry sacks.

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