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Donald Brown |
Mar 7, 2023 9:01 am
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Goldfish, the first full production by New Haven Theater Company since Annapurna last May, features a scenic design by director John Watson that truly sets the stage: on one side, a kitchen in a scrappy apartment where 19-year-old Albert Ledger (Nick Fetherston) lives with his father Leo (John Strano), a widower who has a problem holding onto money whenever there’s something to bet on; on the other side, a sumptuous house where a divorced mother, Margaret (Sandra E. Rodriguez), swills martinis in her pajamas and pearls, while sharing smokes with her daughter Lucy (Sara Courtemanche), also 19. In between is a shifting space — now library, now cafeteria, now bed, now bus stop — that serves as the upstate college, set amidst rolling hills, where Albert and Lucy meet and evolve a relationship.
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Donald Brown |
Mar 1, 2023 9:01 am
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Linda-Cristal Young Photo
Kayode Soyemi, Ashley Thomas, Jason Gray.
Blood-spattered limbs. Wigs and heels. A marriage in trouble. Angels and demons, birds and fish. All of these and more are part of the Yale Cabaret’s current season, as it has returned to in-person dining and theater under an inspired and historic artistic team pursuing the venerable old goal of delivering the shock of the new.
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Brian Slattery |
Feb 20, 2023 1:53 pm
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Manuel Camacho, Eliza Vargas, and Catherine Wicks in Ice The Beef and Elm Shakespeare's new anti-violence production of Hamlet.
Student leaders and Shakespeare theater-makers came together to create a new performance of Hamlet that was part social justice theater, part violence prevention program — and all heart.
With a look of defeat, Betsy Ross Arts Magnet School (BRAMS) eighth grader Dakarai Langley lifted his left foot and dangled it over the edge of an auditorium stage as a song shook the dark room with the lyrics: “Would anyone cry if I finally stepped off of this ledge tonight?”
And then Langley kept dancing, proving to everyone in the room before him just how lucky this city is to have this young artist call New Haven his home.
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Brian Slattery |
Dec 9, 2022 8:54 am
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As A Soldier’s Play — running now at the Shubert Theatre through Dec. 11 — opens, a group of faceless and as yet nameless soldiers join in a song. Their performance is full of strength, energy, even joy. But the song is a work song, captured at Parchman Farm, the notorious maximum-security Mississippi State Penitentiary, in which inmates were made to work in conditions all too reminiscent of slavery. The parallel is clear: these Black soldiers in the U.S. Army, at (the fictional) Fort Neal in Louisiana, deep in the Jim Crow South, are in some sense prisoners, trapped and laboring under a crushing system of racist oppression that they are in no position to be able to change. Though this being the Army, they do have the chance to be promoted in it, if they follow the rules and don’t make too much trouble. So what happens when one of them, Sgt. Vernon C. Waters, is shot to death under mysterious circumstances?
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Brian Slattery |
Dec 6, 2022 8:47 am
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Dexter Singleton.
As Collective Consciousness Theatre in Erector Square prepares to roll out its plans for 2023, artistic director Dexter Singleton thought back to 2021, when he first walked back into the theater after the pandemic shutdown in March 2020, which interrupted the company’s run of Dominique Morrisseau’s play Skeleton Crew. “We came back into CCT and we still had the Skeleton Crew set in there,” Singleton said. “Jenny” — Nelson, who directs many CCT productions — “said it was like walking into a time warp.”
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Donald Brown |
Dec 5, 2022 9:02 am
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Michele Selene Ang and Katherine Romans.
Set in Lexington, Kentucky (home of the University of), Leah Nananko Winkler’s The Brightest Thing in the World is a rom-com, a sitcom, and a story of addiction and recovery, of the bond between sisters, of goofy romance between a nerdy woman and a more worldly one. It has babbling drunks and maudlin drunks, tough honesty and an almost slapstick emergency, with enticing baked goods, cutesy Christmas paraphernalia, a random dance number, and a final scene of intense, visceral truth. The play, receiving its world premiere, is running now at Yale Repertory Theatre through Dec. 17, directed by Margot Bordelon.
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Brian Slattery |
Nov 21, 2022 8:35 am
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Marmol-Gagne.
Puppeteer and host Anatar Marmol-Gagne was trying to start the Pinned and Sewtered Puppet Cabaret at the State House on Sunday night. The problem: fellow puppeteer Madison J. Cripps, who attempted to hijack the audience’s interest with puppets, dance routine, and blazing harmonica. It seemed like chaos might reign for a moment, until he was dragged away by a giant red cane wielded by a silent stagehand. Marmol-Gagne smiled.
“Who invited you?” she said to Cripps, now offstage. “Oh, right. I did.”
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Karen Ponzio |
Nov 7, 2022 8:50 am
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Movimiento Cultural
The world-renowned Shubert Theatre was home to some of New Haven’s own on Saturday night, as a show entitled Elm City’s Finest brought artists performing everything from bomba to dramatic monologues to rock ‘n’ roll to this first-of-its-kind event. The evening also included work displayed by local visual artists, food from local restaurants, and wares from local vendors.
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Brian Slattery |
Nov 4, 2022 9:03 am
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In the first scene of Bekah Brunstetter’s Going to a Place Where You Already Are — now on at New Haven Theater Company as a staged reading through the weekend of Nov. 3 through Nov. 5 — Roberta (Susan Kulp) and Joe (Ralph Buonocore) are sitting in the pews of a church, chatting amiably as the service starts. What they’re talking about is, in some ways, not as important as the fact that they are talking, with the ease and camaraderie of a couple happily together for years. They forget where they are, have to apologize to the people around them. After a minute or so, it finally occurs to Roberta to ask: whose funeral are they attending, again?
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Brian Slattery |
Nov 2, 2022 8:43 am
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The cast of Songs for a New World.
At a recent rehearsal at Picasso Parties in West Haven, the company of Fuse Theatre of CT was going through “The River Won’t Flow,” one of the songs from composer Jason Robert Brown’s musical theater piece Songs for a New World, which Fuse is preparing for a run at Bregamos Community Theater on Jan. 6, 7, 14, and 15. “The River Won’t Flow” centers on Brian Meltzer and Ty Scurry, who play panhandlers jostling for control of a street corner while trading sentiments about how their luck has run out. It’s a fun song about a serious subject, and the company wanted to make sure they got the balance of humor and heartache right.
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Karen Ponzio |
Oct 17, 2022 10:45 am
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Karen Ponzio photo
Long Wharf Theatre leaders at Audubon St. fest Saturday.
Lucy Gellman / New Haven Arts Paper photo
Bidding adieu to 222 Sargent stage on Friday.
Audubon Street burst into party mode Saturday as Long Wharf Theatre celebrated its move from a Sargent Drive stage to offices downtown — as well as the beginning of a new itinerant model of presenting works across various locations in Greater New Haven.
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Donald Brown |
Oct 17, 2022 9:08 am
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Joan Marcus Photo
Emma Pfitzer Price, Nate Janis, René Augesen, and Dan Donohue.
Edward Albee’s 1962 play Who’s Afraid of Virginia Woolf? is a classic of American theater. Its depiction of a middle-aged academic couple at a New England university joined by a younger couple for a night of nonstop drinking seems tailor-made for Yale, where James Bundy, the dean of the David Geffen School of Drama at Yale and artistic director of the Yale Repertory Theatre, directs a revival both respectful and gripping, through Oct. 29. It’s a play full of shifts in sympathy and understanding, as we realize — somewhat uncomfortably — that unlikeable people may have earned their manner from deep hurts and sorrows.
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Brian Slattery |
Oct 4, 2022 8:30 am
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Rawling.
In preparing for the latest production from Madame Thalia — the Prohibition-era vaudeville show that music and theater mastermind Zohra Rawling is bringing back to Cafe Nine on Oct. 9 — Rawling thought of the last time she got to stage it in the club on State and Crown, in 2019. She ended a particular segment on a complete cliffhanger. “Tune in next time,” she recalled intoning to the crowd, only to have a member of the audience interrupt, yelling back “you monster!”; the cliffhanger was apparently too much anticipation for them to take. “I’ve done my job,” Rawling recalled thinking. “That was the best compliment I’ve ever received on stage.”
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Brian Slattery |
Sep 15, 2022 9:44 am
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Iridessa Søul LaFlare performs for PRIDE.
Host Maddelynn Hatter broke in the crowd at Gotham Citi Cafe on Orange Street Wednesday night by establishing a few guidelines regarding drag shows.
“If you ever know any drag queens, you know the most important rule — other than to be able to paint your face — is to be kind,” she said. “All of the queens have passed the test. They are very kind. Which is good, because I am an awful person.”
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Brian Slattery |
Aug 22, 2022 8:55 am
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Stacey Strange Photo
L. Peter Callender as Prospero and Sarah Bowles as Ariel.
The play has just begun, and it’s as if the set is already being torn apart. There’s the sound of wind and thunder, the sight of sails fluttering in high wind as sailors struggle to maintain them. The people at the wheel of the ship are shouting to each other and to the crew. They don’t know what’s going to happen to them. But the man in the front and center of the stage does. Standing silent and serene, he’s controlling the storm, controlling the boat and the people on it. In the beginning, he controls everything.
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Brian Slattery |
Aug 10, 2022 9:15 am
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Brian Slattery Photos
A woman holding bolts of fabric approached the checkout counter set up in the lobby of Long Wharf Theatre. She had plans, she said, to make clothes for her relatives.
“In my generation, everybody knitted or sewed,” she said.
Now, she continued, “when a shirt loses a button, they take it to the dry cleaners.”
Making clothes yourself is a “lost art,” a Long Wharf employee agreed. But with the help of Dock Deals — a series of sales of stock Long Wharf is holding as it clears out its space on Sargent Drive — the woman would find it again.
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Olivia Gross |
Aug 3, 2022 8:50 am
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The Theater Group
Percy Jackson is coming to town with all the charm and pacing of a chapter book – onstage at a summer program that keeps kids returning each year and bonding through the arts.
As men in dark blue uniforms marched with muskets through Grove Street Cemetery, Calvin Alexander Ramsey took a headstone tour, revived the memory of a Revolutionary War soldier named John Epps — and spoke of plans to bring his own history of Black patriotism to a city stage.
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Brian Slattery |
Jun 27, 2022 9:45 am
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Brian Slattery Photos
For its concluding day on Sunday, the International Festival of Arts and Ideas hosted or facilitated a slew of activities on the New Haven Green that kept people there from morning to night, beginning with circuses and magicians, continuing through jerk chicken and dancing, and ending with a drag show about the need to reconnect with a sense of pride.
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Brian Slattery |
Jun 22, 2022 9:56 am
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At the start of Parable of the Sower — playing against Wednesday evening at the Shubert Theatre as part of the International Festival of Arts and Ideas — Toshi Reagon asks the audience two questions: whether they have been taking care of those around them, and whether they have been taking care of themselves. She pulls the theater move of being disappointed by a first, lackluster response, and then makes people respond again, more affirmingly, more enthusiastically. But what sounds like a self-help session takes a sharp turn when she adds that both are maybe “the only way we’re going to survive” — the next five, 10, 15, 20 years.
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Brian Slattery |
Jun 17, 2022 9:12 am
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“The genius of a lot of Octavia’s work,” said Toshi Reagon about visionary science fiction author Octavia E. Butler, is that the circumstances she describes in her books are “applicable to anyone at any time.” Reading Butler’s work, she said, the reader may think, “that could happen to me.” Or: “I hope that never happens.” Or: “I can imagine myself there.”
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Brian Slattery |
Jun 14, 2022 9:34 am
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Facebook// Babz Rawls-Ivy
On Monday night, the Big Tent Party, a gala fundraiser for Long Wharf Theatre, saw the regional theater institution begin its slow turn away from its Sargent Drive home and into a more nomadic future, as patrons gathered for an evening of food, drink, and entertainment that began and ended outside.
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Brian Slattery |
Jun 13, 2022 3:29 pm
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Early in Felon: An American Washi Tale, poet and lawyer Reginald Dwayne Betts talks about how, as a prisoner serving time for a carjacking, he heard his fellow prisoners calling to each other in the dark, looking for something to read. “Yo, send me a book!” they called out, and in the dark, he heard the paper slide across the cell block floor. It took him a while to muster the courage to ask for himself — “Yo, send me a book!” The poetry anthology that slipped under his door set him on the path to his freedom.
