Pedestrians of the world unite! Stalls and Weber make synchronous TikToks on Ella T. Grasso Boulevard.
Two TikTok phenoms concerned with pedestrian safety set out from the outskirts of Ella T. Grasso Boulevard Sunday morning — with the intention of spotlighting one of New Haven’s, and the state of Connecticut’s, most dangerous stretches while on a viral walk.
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Lindsay Skedgell |
Aug 30, 2022 8:48 am
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Lindsay Skedgell Photos
Your Queer Plant Shop.
The outer edge of Pitkin Plaza on Sunday was lined with rare plants, bursts of pollinators, handmade leather goods, zines, and two birthday cakes of four different flavors. Nestled between vibrant murals, performers sang and folks from all around New Haven filled the brick park. One man next to a mural waved a cigar around in circles, dancing to the music Love n’ Co played. The band’s singer — Lovelind Richards — had various shades of blue painted across her eyes in thick bands. A leather worker from Beacon Craft Studio stitched a deep maroon leather piece with thick thread. It was East Rock House’s first birthday.
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Brian Slattery |
Aug 29, 2022 9:27 am
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Brian Slattery Photos
The music poured onto Temple Street all the way from the plaza in the middle of the block, directing and enticing a steady stream of pedestrians and shoppers to the long rows of canopies set up for the Black Wall Street Festival, an afternoon-long event designed to showcase a wide range of Black entrepreneurs.
Thanks to the robust turnout, a live band, and a pervasive sense of cheer, the festival was true to its name, turning Temple Street Plaza into something like bazaar meets block party.
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Brian Slattery |
Aug 29, 2022 9:17 am
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Brian Slattery Photos
Rev. Jeremiah Paul.
The Rev. Jeremiah Paul, pastor for Hamden Plains United Methodist Church, held his hand high as he spoke to the crowd assembled to hear him at Hamden’s Town Center Park on Friday evening. His audience were members of his congregation, but also from the greater New Haven community, a mix of languages, ages, cultures and creeds. Among them were artists selling their pieces and food truck vendors feeding the people.
“We had a little rain shower, which I consider a blessing from the heavens,” he said amiably. With the sun out, the show was ready to start.
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Brian Slattery |
Aug 26, 2022 8:36 am
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A dozen students gathered around a long table in a second-floor studio in Creative Arts Workshop on Thursday evening, busily preparing strips of white fabric with woodblocks, clothespins, and rubber bands. CAW instructor Annie Trowbridge moved from one student to the other, pouring on ideas, humor, and enthusiasm. On the other side of the room, smelling of ammonia, was a bucket containing one of the most well-known and beloved natural dyes in the world. Before the class was over, that color would transform several yards of fabric and maybe change a perspective or two.
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Brian Slattery |
Aug 25, 2022 8:55 am
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There’s a reason for the vibrant colors in Sarahi Zacatelco’s self-portrait. “That’s how I feel now,” Zacatelco said. “I’m a survivor,” she said, and those colors mean “freedom” — freedom from a bad situation she left behind, and freedom to accept the support of others she has found in New Haven. It’s also a celebration of the freedom “to work on myself and to work on my art. I left everything behind. All the depression. All the hard feelings. Everything.” It’s the same impulse that led her to make a painting of a pair of wings. “Now I’m flying,” she said. “Now I’m free.”
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Brian Slattery |
Aug 23, 2022 8:55 am
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The gloriously trashy wonderland of garage-art "Auto."
A garage full of treasures. A squirrel on a tightrope. A tree full of wishes. These are among the discoveries that await those who embark on The Exchange, a treasure hunt of an art show that is the brainchild of New Haven-based artists Suzan Shutan and Howard el-Yasin of SomethingProjects.
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Brian Slattery |
Aug 11, 2022 8:55 am
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Karen Klugman
Jerry at Jerry's Antiques, 928 State.
Jerry stands with his hand on his hip, a cigar angled improbably out of his mouth. He’s wearing a hat from another time. The shop behind him is from another time, too, an older New Haven that’s increasingly hard to catch a glimpse of. The photograph is accompanied by a quote from Jerry, addressed to the photographer: “Say, you ain’t Polish, are ya? John here said you might be Polish. You’re Italian, ain’t ya? You look Italian.… Lithuanian? Romanian? Well, at least you ain’t a Jew. Say, you ain’t Jewish, are ya? Old John, he and I just like to kid around. What are you anyway?”
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Brian Slattery |
Aug 10, 2022 9:09 am
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Vasilisa Gladysheva
Melting Face.
Vasilisa Gladysheva’s potted plant at first looks precarious, perched on the edge of its podium, but that’s the point. The piece is, in a very real sense, about balance. There’s tenuousness versus serenity. There’s the combining of the whimsical and the functional, while also having something to say about the thoughts of the mind, or perhaps imagination. Is the figure in the vase sleeping and dreaming the plant into existence? Or is it about how all thoughts can grow? Regardless, what is clear is both the artist’s playful intentions and the skill with which the piece is made.
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Jordan Ashby |
Aug 1, 2022 9:08 am
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Jordan Ashby Photo
Summer Artspace Program students, instructors, and TAs.
Artspace New Haven celebrated the culmination of the free Summer Artspace Program (SAP) with a community exhibition highlighting the work of six high school artists.
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Brian Slattery |
Jul 26, 2022 8:46 am
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It’s a chicken leg, mounted on a wooden board like a hunting trophy or a piece of taxidermy. But then something else is going on with it, a cascade of white circles, dynamic enough to almost seem to be moving across its surface. For some, the circles might seem like soap, the leg being washed clean. For other, they might look like mold; the chicken left out of the fridge too long. Or what if someone decided not to interpret it at all? To just accept the shapes and shades for what they are, just patterns across the chicken’s skin?
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Brian Slattery |
Jul 22, 2022 8:50 am
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A group of men chat on the street corner. Behind them, a hamburger rotates slowly, to serene music. An astronaut tumbles through space. Prisoners of war get anti-communist propaganda tattooed on their chests and backs. A White man muses on the fear White people have of retribution from Black people about slavery.
It’s a quiet summer night on Crown Street, but something is disrupting the flow — and in its disruption, is reminding us of the flow that we’re in almost all the time and usually don’t pay much attention to.
The disruption makes us aware of how we’re subtly being disrupted all the time, without us being entirely conscious of it. What would happen if we were to wake all the way up to that fact?
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Brian Slattery |
Jul 20, 2022 8:56 am
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Ieshia Evans Protesting the Death of Alton Sterling (Baton Rouge, 9 July 2016).
The source photograph — by Reuters photographer Jonathan Bachman, of Black Lives Matter protester Ieshia Evans standing off against police in Baton Rouge, La., during a protest of the killing of Alton Sterling by police in 2016 — is already a capturing of opposites. The kinetic poses of the police, clearly in motion, versus Evans’s stillness. The heaviness of the officers’ body armor versus the light billowing of the hem of Evans’s dress. Marc Quinn’s treatment of the image, made in 2017, takes it all a step further. Cutting the image into quarters accentuates what’s going on, and hearkens back to triptychs and other more antiquated forms of history paintings. The streaks of paint thrown across the painting add to the immediacy of the action, but also call attention to the change in medium, from photography to painting. What does it mean to try to immortalize an image? Which is another way of asking: how do we remember history?
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Brian Slattery |
Jul 19, 2022 8:21 am
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Sylvia J. Yanez
Hi, I'm Melting.
Sylvia J. Yanez’s Hi, I’m Melting has its sense of humor, starting from the title. It exudes a friendliness that draws a viewer in. But there’s something harrowing going on, too. There are the cracked patches of paint like angry scabs, the colors bleeding and running together seeming out of control. That the paint is roughly in the shape of the United States, and that it appears to be melting down, gives it an extra push into chilling territory, though explicitly commenting on the current political situation isn’t Yanez’s stated objective. The aim of her art is more personal, more social; maybe you could say deeper.
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Brian Slattery |
Jul 15, 2022 8:43 am
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Bridget Riley
Blaze 4.
On one hand Blaze 4 is a simple design concept: a series of concentric circles, lines angled in alternating directions. The kind of thing that, in the hands of someone less attuned to detail, would be a muddled mess, or almost silly, like a picture of spiraling tweed. But in the hands of master contemporary artist Bridget Riley, it’s a buzzing, vertiginous image, the sort of thing that requires a warning label for people sensitive to strobes. It’s a perfect marriage of form and technique, and that the effect is so visceral is argument enough for why the Yale Center for British Art has dedicated two floors of the museum to a massive retrospective of the celebrated artist’s work, called “Bridget Riley: Perceptual Abstraction” — and there are just two more weekends to see it before it closes on July 24.
The proposed configuration of the old plinth next to the new statue.
Now that the statue of Christopher Columbus is gone from Wooster Square Park, what should happen to the pedestal that once held it up?
The Historic District Commission weighed that question on Wednesday evening. It voted to keep the pedestal in place without a statue atop it, a few feet behind the new sculpture slated for the park.
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Brian Slattery |
Jul 14, 2022 8:37 am
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Sheila Kaczmarek
Caterpillar Homes.
The sculpture in the window of City Gallery is fashioned almost like it could be a bouquet of summery flowers, or a piece of interesting coral — the kind of art made from natural objects that you see a lot. But the pleasing shapes are actually representations of caterpillars that look like they could crawl out of their ceramic homes at any second. Some may find it a little creepy, but it’s also about the abundance of nature, the way it moves and grows, especially in the summer.
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Brian Slattery |
Jul 7, 2022 8:51 am
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Susan Clinard
Missing the Mark.
Susan Clinard’s sculptures are an exercise in extreme empathy, even as Missingthe Mark represents something more complex as well. It’s hard not to feel the pull of judgment in the juxtaposition of the crying face of the baby, who just needs some attention, with the blank faces of everyone else, staring at their screens. But in a broader sense, they’re all victims, of a specific mode of modernity we’re told we want. Clinard’s pieces forces us to look at ourselves, too. Are you reading these words on your phone right now? What are you missing around you?
New Haven photographer Chris Randall has a unique perspective on fireworks — as you can see from these photos he took at Sunday evening’s city East Rock display.
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Olivia Charis |
Jun 27, 2022 3:50 pm
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Olivia Charis Photos
"Hispanic Identity: Between Two Words"
As viewers walk into NXTHVN gallery to view a new group exhibit, Sofia Carrillo’s contribution stands out as one of the only artworks not on the walls. Carrillo’s sculpture consists of two armchairs tied together by woven flags. Atop each chair rests a telephone. The chairs, Carrillo said, represent “the new versus the old generation.”
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Brian Slattery |
Jun 24, 2022 9:04 am
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Cassides' Diner.
Cassides’ Diner sits everywhere and nowhere; it could be on any number of city blocks around the Northeast, and at the same time, it’s hard to say from the picture where on that block it is situated. The building itself is also a little improbable. It carries the signs of both tough economic straits and real ingenuity, the result of someone taking what’s at hand and making something better out of it.