Visual Arts

New Haven Gives Friends A PU$H Into Fashion

by | Jul 27, 2021 8:43 am | Comments (2)

Brian Slattery Photos

Jamon and July Rouse, Johnathan Mitchell, and Shannon Harrell, Jr.

PU$H is a clothing line run by three friends who grew up together around New Haven — Shannon Harrell, Jr., Johnathan Mitchell, and Jamon Rouse — with a passion for sports, fashion, and improving the situation for themselves and their community. But it’s really the product of a family, the family we chose,” Mitchell said.

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ECOCA Show Sees A Future In The Future

by | Jul 22, 2021 9:34 am | Comments (0)

Animation by Eva Lee, Sound by Michael Joel Bosco

Eye Spy.

Eye Spy morphs from image to image fast enough that you have to pay attention to see the narrative. Seals and other ocean life change into plastic bottles on the beach, the manmade objects that found their way into a bird’s stomach. Then back rushing ocean waves, lush coral of vibrant colors, sea turtles and teeming schools of fish. The music is serene with powerful, tidal undercurrents. The loop between the vivacity of the ocean and the damage we have done to it is causal in both directions. It gives us a sense of what’s at stake in the effort to adapt to climate change, and what could be if we manage to do enough.

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Artists Work In Vivid Color

by | Jul 16, 2021 9:13 am | Comments (0)

Joy Bush

Troubled Turnips.

The turnip’s gnarled skin and desiccated sprouts stand out all the more because of the vivid red background they’ve been placed in front of. Nearby is a head of lettuce rendered inedible by time and neglect, a beet imploding with rot, a potato molding and sprouting at the same time. Joy Bush’s vibrantly decaying vegetables are part of The Shape of Color” — the latest exhibit at City Gallery on Upper State Street, running now through Aug. 8, featuring the work of Bush, Judy Atlas, Rita Hannafin, and Tom Peterson — and, it turns out, born of a deeply political moment.

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Kehler Liddell Group Show Has Good Genes

by | Jul 5, 2021 9:27 am | Comments (0)

Kate Henderson

Mitochondrial Eve.

Kate Henderson’s Mitochondrial Eve stands in Kehler Liddell Gallery like an altar, a place to make an offering to art, science, and perhaps a higher power all at the same time. The figure in the middle, holding aloft a shape that evokes an egg, partakes of past representations of religious figures and fertility goddesses. The plants growing up around her suggest fecundity. But the letters floating around her give it away; it’s the protein sequence of DNA, the building blocks of life, that turn a double helix into a celebration of life.

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Nine Awarded NXTHVN Fellowships

by | Jun 30, 2021 8:41 am | Comments (3)

Contributed Photo

From top left: Layo Bright, John Guzman, Alyssa Klauer, Africanus Okokon, Daniel Ramos, Warith Taha, Patrick Quarm, Marissa Del Toro and Jamillah Hinson.

Seven artists and two curators have won yearlong fellowships at the Dixwell-based art center NXTHVN.

The fellows hail from Brooklyn, Texas and Ghana and came out on top from among over 325 applicants to get to New Haven. One fellow, Africanus Okokon, was already living in New Haven and attended Yale for a master’s degree in fine arts.

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Artists Go Solo At Ely Center

by | Jun 17, 2021 9:33 am | Comments (0)

Allison Baker’s installation transforms the front gallery of the Ely Center of Contemporary Art on Trumbull Street into something between a playground and an uneasy dream. All is glittering, but also unnaturally balloon-like — whether it’s immediately recognizable objects such as hangers, brassieres, and cleaning gloves, or less obvious (but no less glittery) shapes strewn on the floor and suspended from the ceiling. Further exploration reveals that the installation spills over into the next room, taking over half the first floor of the building. It’s fun, yes, but threatening in its entertainment. Everything is fine. Everything is wrong.

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Art Exhibit Traces A Path To The Stars

by | Jun 15, 2021 8:00 am | Comments (1)

It’s a lunar volvelle, a device dating to the medieval era used to chart the passage of the moon across the sky and determine days and dates. But this particular volvelle has two distinguishing features. First, it involves fragments of poetry. Second, the family members of poet and artist Monica Ong appear in a small parade in the center as one moves through the possible positions on the volvelle. Using the volvelle also reveals different fragments of poetry, so that each day produces a new poem, introduces a family member, all in the process of scientific observation.

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Artists Find The New

by | Jun 8, 2021 8:32 am | Comments (0)

Sheila Kaczmarek’s English Sycamore grabs the eye as soon as you enter City Gallery on Upper State Street. Viewed one way, it appears almost as if it could move, like a mobile. Viewed another, it’s possible to imagine it’s growing out of the wall. Its organic forms add up, fully, to an enveloping composition — and it’s possible to imagine it could have kept growing, or that the pod in the middle of it might hatch. That sense of completeness and open possibility isn’t just part of the finished piece, but also is present in the way it’s made.

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NXT HVN Puts Down “Roots”

by | Jun 3, 2021 8:40 am | Comments (0)

Kaitlyn Higgins

The Art of Breathing.

It’s a series of faces moving through an intense range of emotions. Maybe it’s the same person over a period of time. Maybe it’s multiple people in the same moment. Maybe the difference isn’t all that important. Kaitlyn Higgins’s The Art of Breathing is both a study in how to render emotions in paint and an expression of all those moments at once. It’s part of a series of paintings by Higgins that explore parallel senses of outward claustrophobia and inner turmoil. There are no easy answers, but in the accurate rendering of the situation, there’s communication and compassion.

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Diary Disks Collect The City’s Memories

by | May 25, 2021 9:27 am | Comments (1)

Brian Slattery Photos

There was already one message written on the large black circle with the prompt I hope,” written in several languages. That first inscribed message read that our memories will not all be of darkness.”

The disk was located at the entrance to the Wooster Square Farmer’s Market this past Saturday morning. A woman with a child in a stroller approached the disk with a white marker. She knelt and added her own message. Within the hour, many more would follow.

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Shaunda Holloway, Claire’s Artist In Residence, Moves In New Directions

by | May 21, 2021 9:19 am | Comments (0)

Brian Slattery Photos

The art on the walls of Claire’s Corner Copia, on the corner of Chapel and College, thrums with energy, vibrant colors, and shimmering textures. But there’s a heaviness there, too.

Neither simply joyful nor simply sorrowful, the work of New Haven-based artist Shaunda Holloway uses old motifs in new ways; it reaches back in order to move forward, with strength and resolve, mindful of the sorrows of the past but hopeful for the future.

Holloway’s pieces are the latest to be exhibited as part of an artist-in-residence program at Claire’s.

As friends and fellow artists dropped by on Thursday to have a snack or dinner and offer congratulations, Holloway had a chance to revisit how her artistic practice has developed in the past decade, and in what new directions it may point.

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Two Artists Thrive On Lines And Color

by | May 19, 2021 9:15 am | Comments (0)

Hank Paper

L.A. Life.

The two shows at Kehler Liddell Gallery — Parallel Worlds,” by Robert Bienstock, and L.A. Color, East Coast Weather,” by Hank Paper, up now through June 20 — hang well in the gallery together, unified by a love of strong lines and bold color. But Bienstock’s pieces are paintings and drawings, while Paper’s are photographs. Bienstock’s pieces chronicle the past year and a half. Paper’s are the documents of a lifetime of work.

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Virtual Reality Artist Makes Walls And Streets Move

by | May 18, 2021 8:29 am | Comments (1)

Brian Slattery Photos

Giant birds in flight. Trees swaying in a light breeze. A child dancing in a dinosaur costume. A fading mural restored. They’re part of Here’s Another Story, a project that uses a virtual-reality phone app to allow people to walk the streets of Ninth Square and, through their phone screens, watch the public art there bloom into festive, fun, and meaningful animation.

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New Haven Paint And Clay Club Still Paints Life

by | May 14, 2021 8:42 am | Comments (0)

Vincent Calenzo

Bike.

The boy in Vincent Calenzo’s Bike wears an expression of wariness and awe. Before him stands a masterpiece — of engineering, sound, and speed. Not everyone is into motorcycles; most of us don’t know enough about them to appreciate them. But the way Calenzo, through his technique, renders the bike, we get to see it through his and the boy’s eyes. We get to feel some of its power.

In this way, Calenzo shows how, even in the age of easily manipulated digital photography, painting still has a lot to say, and let us see the present day in new ways.

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ArtWalk 2021 Brings Out The Community

by | May 10, 2021 9:01 am | Comments (0)

Brian Slattery Photos

Thabisa’s band, augmented by members of the New Haven Symphony Orchestra, was in the full flower of the music it was making. Thabisa herself took a moment to pause in her singing and instead turn and dance intricate, powerful steps on the Edgewood Park stage set up for ArtWalk.

The people on the ground in front of her followed suit.

Friday night’s concert, uniting two institutions of New Haven’s music scene, kicked off the annual ArtWalk fest in Westville. It set the mood for Saturday’s events, a celebration of the ability of people to gather again, as the weather warmed, vaccinations continue, and masks were ubiquitous.

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City Gallery Creates A Disruption

by | May 7, 2021 10:17 am | Comments (1)

Ransome

Coming Out.

Ransome’s Coming Out manages to be comforting and confounding at the same time. The artist’s use and rendition of a quilt makes it feel like safety.

But the men under the quilt don’t feel safe.

It’s a painting about two gay slaves who were lovers,” said curator Howard el-Yasin, which in itself speaks to rupture. One is looking at the arrows and the street, the other at the gallery. One is calling, and one is silent.”

Ransome’s painting tells a more complicated story of slavery and Blackness than one we might usually see in public, and it’s part of Legacy and Rupture,” the show running at City Galley on Upper State St. through May 30. Curated by interdisciplinary artist and educator Howard el-Yasin, in addition to Ransome, it features artists Nathaniel Donnett, Sika Foyer, Merik Goma, James Montford, Kamar Thomas, and Marisa Williamson.

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Labor Paints Prospect Street With “Respect” Message

by | May 1, 2021 11:15 pm | Comments (19)

Sophie Sonnenfeld Photo

“Yale: Respect New Haven” painting in front of Yale President Salovey’s Office.

Armed with paint, roughly 150 organizers, union members, and New Haveners Saturday gathered to call on Yale to pay their fair share” for tax-exempt properties and honor a local hiring commitment.

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Artist Reaps Harvest Of Empathy

by | Apr 21, 2021 9:06 am | Comments (0)

It’s a soft, gentle sculpture, of a woman sitting next to a body of water. But the context in which that woman sits — an Afro pick — is nearly as old as civilization itself.

For artist Yvonne Shortt, it’s a connection to her personal history and to her African heritage. It’s also a way for her to connect with the struggles of other ethnicities — and reach out to everyone.

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