by | Oct 10, 2024 9:35 am | Comments (0)
Rita Hannafin
Rita Hannafin's Float, on display for Open Studios.
Rita Hannafin’s Float hangs in the midst of City Gallery’s latest show on Upper State Street, a quilt of bright, shifting colors, surprising shapes, dynamic contrasts, and ultimately, cohesion.
by | Oct 7, 2024 8:18 am | Comments (0)
Karen Ponzio Photos
Luca McCarthy at work: “I’m very anti-garbage. Nothing is garbage.”
One view of the CAW exhibit, featuring pieces by Simmons, Giroux, McCarthy, and Brantley.
You know October is here when New Haven sidewalks are dotted with fallen leaves, and art studios and galleries are open for all to see. Open Studios 2024 began on Saturday with a variety of locations ready and waiting to share art in a variety of media, including City Gallery, The Institute Library, the Ely Center of Contemporary Art, and Creative Arts Workshop (CAW).
CAW, however, had a unique set up offered to the public. While an exhibit by eight artists from the Ely Center’s 2024 open call was on view on the first floor of the Hilles Gallery at CAW on Audubon Street, those same eight artists were on the second floor, creating new pieces and greeting visitors who wanted to engage them in discussion about their work.
by | Sep 30, 2024 4:13 pm | Comments (22)
Paul Bass Photo
Jessie Unterhalter at work Monday.
“Beautiful!” a passing motorist called out while heading downtown Monday on Chapel Street.
“Thank you!” Jessie Unterhalter said for the tenth? 20th? time of the day.
Unterhalter didn’t want to be rude. People passing by the once-blank warehouse wall at Chapel and East Streets have brightened to see the swirling bright colors Jessie Unterhalter and Katey Truhn have been painting there for the past three weeks. Unterhalter appreciated their appreciation.
Continue reading ‘The Word On Chapel & East: Swirling Colors Hit The Wall’
by | Sep 26, 2024 9:23 am | Comments (0)
In the short film Dendrostalkers, the view is from the driver’s seat of a car curving along a dirt road through a forest at night. The trees are thick and dark, then give way to a clearing, a pile of fresh lumber. The narration speaks of foreboding. The car stops, and something springs from the pile of dead trees, a new limb, animated, making shapes in the air. It’s the next step in evolution, maybe a dispatch from the future. It’s an art project that has something to say about our relationship to the forest now.
by | Sep 25, 2024 11:47 am | Comments (2)
Brian Slattery photo
One of the many artworks on display at the first ever show hosted by a Legion Avenue mental health, addiction, and homelessness services nonprofit.
The pill bottles hang suspended in the air, a testament to their ubiquity and the damage they cause. Behind them are arrayed a series of facts and statistics about drug overdoses. Over 1,000 people die from them in Connecticut every year. Since 1999, almost 1 million have died nationwide, with opioids accounting for two-thirds of those deaths.
Continue reading ‘Art Helps Clients Cope At Continuum’s First Show’
by | Sep 24, 2024 9:22 am | Comments (0)
Carol Strause FitzSimonds
Flora and Fauna #23.
“My art is a living thing, a labor of birth, exasperation, growth, change, and joy. Printmaking has always been my primary passion, from exploring traditional Old World techniques to new 21st-century materials and technologies. Wanting to expand my art into a more sculptural tactile experience led me to experiment with altering published books and to crafting one-of-a-kind books from my original prints and drawings. I find my image inspiration in the everyday of nature, ordinary places and things, and the human form.”
Continue reading ‘Exhibition Shows All The Hues Fit To Print’
by | Sep 18, 2024 9:20 am | Comments (0)
Judy Atlas images
Mykonos 2 and Mykonos 3.
They’re abstractions, but still connected to something in the real world. Even without knowing the original inspiration, the signs are there. The blue the artist, Judy Atlas, has chosen is one that occurs in nature, in the sky and water. The pristine white a common color in manmade structures around the world. Then there are the architectural features, the arches and doorways, that suggest something of a maze, but one you might want to get lost in.
by | Sep 17, 2024 8:59 am | Comments (0)
Sven Martson Photos
Rochester Truck Door.
The profile, of a cartoon crone, is easy to see — easier than seeing what it really is. Keep looking and you might see other faces as well. But keep looking, and you see that it’s all something else, that your mind is finding patterns, meaning, in a chance encounter. “I was walking around in Rochester one day, and before crossing a street, I looked to the right, and down at the end of the alley was a shiny truck door reflecting the distorted image of the building across the street,” Sven Martson notes. “My point of view was all important. Just a few inches to the right or left and the image broke up and disappeared.” It’s only a reflection of a building. But it also reflects something else, in the way we find so much else in it.
by | Sep 12, 2024 8:53 am | Comments (0)
Liah Sinq
For a split second, the kid is in the hands of gravity, but you just know he’s going to be all right. Maybe it’s the matching pajamas that give it away. It’s Christmas morning, perhaps, and the kids want to play with a father, or an uncle. But what really seals the deal on the tone of the piece is the quality of the sunlight, streaming through the window behind them. It lets us see the care the adult is putting into it, lets us see the way the kid is enjoying the ride. He may be falling, but the landing will be safe.
by | Sep 9, 2024 8:45 am | Comments (2)
Karen Ponzio Photo
Michael Pollack and his pizza monument.
The subject of pizza is always on the minds of New Haveners, whether it’s deciding what kind to order and where to order it from or what makes the perfect pie and slice. On Friday night, those pies and slices were unveiled as the theme of a world premiere art exhibit at District NHV. “New Haven Pizza Club: Discover the Art of Pizza” showcased the four-year-long odyssey of artist Michal Pollack to commemorate everyone’s favorite meal as a contemporary symbol representing a local legacy.
by | Sep 6, 2024 9:29 am | Comments (0)
Brian Slattery photo
A deer head with flowers for eyes. Streams of color stretching down from the ceiling. And, on a couple dozen cardboard panels, all manner of people, in all manner of poses. It’s all part of “This Art is Trash,” an exhibition at Never Ending Books on State Street by artist Alice Prael that puts humanity into the things we usually throw away.
by | Sep 5, 2024 9:29 am | Comments (0)
Manuel Álvarez Bravo
La hija de los danzantes.
It’s a famous picture, of a girl peeking into a window, and seems almost like a happy accident, a case of the photographer being in the right place at the right time. If so, that timing was nearly miraculous, due to the beauty in its formal composition. The circle of the hat echoes the circle of the window, while both offset the relentless diamonds on the wall. It succeeds in feeling like street photography and like an intricately composed image all at once.
Continue reading ‘YUAG Offers Snapshot Of Mexican Photographers’
by | Aug 28, 2024 8:39 am | Comments (1)
Eyes on the Planet.
They’re eyes, but they’re taking in a universe of shifting shapes and colors. The piercing structures of the irises only accentuate how the rest of the eyes are swimming with color. In the middle of each pupil is an astronaut, which throws the scale of the image into question. On one level, it’s all fun and inviting. On another, it’s disorienting. The astronauts could be exploring a colorful new dimension. They may also be in danger.
Continue reading ‘Artists Paint An Ailing Planet In Vivid Color’
by | Aug 26, 2024 9:23 am | Comments (2)
Karen Ponzio Photos.
Zine Fest set up inside Bradley Street Bicycle Co-op.
On Saturday afternoon and evening the New Haven Zine Fest expanded beyond its usual Bradley Street Bicycle Co-Op location to the sidewalk outside, as well as other locations around East Rock, for artists and writers to share their zines, prints, creative activities, and more.
by | Aug 26, 2024 9:15 am | Comments (1)
Leo Slattery Photos
Thirty vendors in a crescent surrounded a central green area. From the stage, a rotating selection of spoken word, music, and dancing was interspersed with an ongoing set from DJ Tunes. Off to the side of the stage, activities and crafts were available, including free tie-dyeing and a community banner. People of all ages darted around, chatting with vendors or people they recognized.
by | Aug 23, 2024 9:47 am | Comments (0)
Howard el-Yasin
My Mother's Hose.
Howard el-Yasin’s My Mother’s Hose hangs at one end of Orchid Gallery in The Lab at ConnCORP, redolent with associations without landing definitively on a single one. From a certain frame of mind, the associations can be literally visceral: with intestines, or for that matter, the products of intestines. It could also be sausages, however, or a balloon animal. Or, abstracted, it could be figures embracing one another. The associations multiply when we learn that the sculpture (as the name reveals) is made from pantyhose, but is stuffed with plastic, burlap, a boa, a cardigan sweater, and a cotton shirt. The sculpture is an act of preservation, but also transformation. There’s no one answer that brings it together.
by | Aug 22, 2024 9:28 am | Comments (1)
Ralph Levesque
Match Maker.
Ralph Levesque’s Match Maker, at first glance, looks like religious art, from the halo encircling one of the figures to the positions of the figures in relation to each other. We’ve seen the general idea before, in Christian medieval art. But the first glance proves deceiving, an overt meaning elusive. Who or what is the visage in the background? And why the faces on sticks? Are they mirrors? Portals? The title suggests that a transaction of some kind is taking place. But what? We don’t know what’s going on, but the sense of meaning, a belief system being enacted, remains.
by | Aug 16, 2024 8:39 am | Comments (0)
Sarah Groate with her two photos.
Sarah Groate’s photographs, Duke’s Arrival and Waiting at The Rainbow Bridge, married two of her great loves: photography and horses. Groate works at the CT Draft Horse Rescue, and she uses the horses there as both inspiration and the subjects of her art. “I just found that I loved photographing them,” she said. “They’re the true gentle giants.”
by | Aug 14, 2024 11:00 am | Comments (0)
Ariel Bintang’s pieces can be understood as abstractions of figurative landscapes. The color choices, of vivid greens, blues, and oranges, don’t happen much in the real world, and when they do, not in the way that Bintang uses them. But Bintang also deftly outlines recognizable features into the pieces — buildings, cliffs, rocks, islands, clouds — that show them as landscapes, reduced to their essentials and manipulated. It makes sense, as Bintang, like fellow artists Uzayr Agha and Ethnie Xu, is a graduate of the Yale School of Architecture. In “Mosaic,” the show running now through Aug. 25 at City Gallery, the three artists transfer their eyes for the landscape and the built environment around them to two-dimensional canvases.
by | Aug 13, 2024 2:35 pm | Comments (1)
Thomas Breen photo
Signs of the times, outside of Wexler Grant's polling place.
Ponytails and pairs of glasses have been popping up all over parts of Dixwell and Newhallville, in a show of support for candidates in a race not many might typically pay close attention to — a summer primary for state representative.
by | Aug 9, 2024 9:41 am | Comments (0)
Howardena Pindell
Katrina Footprint.
Howardena Pindell had already created the spiraling mess of oranges, yellows, blues, and greens, footprinted with red arrows indicating the path of the swirls, when she realized that the lithograph resembled a hurricane tracking map. She titled the piece Katrina Footprint, memorializing the over 1,800 people killed by Hurricane Katrina in 2005. What was once a relatively simple design of colors and shapes became a political statement. In hindsight, it feels as if the politics were already embedded in the art. Pindell only had to bring them to the surface.
Continue reading ‘"Everything Is Political In America," Including The Art’
by | Aug 5, 2024 8:33 am | Comments (0)
Eleanor Polak photo
Ashley the Creator and her painting Emotional Orange.
According to legend — and poet Christina Rossetti — one should never eat fruit offered by fairies. It’s considered illicit, otherworldly, and so good that one taste will leave you hankering for more for the rest of your days. But in her new exhibition, “Pomology,” artist Ashley the Creator makes fruit seem more tempting than it’s ever been before. The fae, inhuman faces in her paintings wear fruit as a part of their own bodies, and the effect is both eerie and mouth-wateringly good.
by | Jul 30, 2024 9:10 am | Comments (1)
Eleanor Polak photo
Shaunda Holloway and her pyrography piece, "One Thousand Faces."
For Shaunda Holloway, art is all about getting yourself a seat at the table. It’s a way to be seen, to be heard, to express yourself and then have other people respond to your expression.
Those are the themes of her latest exhibition, “Faces at the Table,” in collaboration with Jasmine Nikole, which has been on display at Atticus Bookstore & Cafe from June 6 through Tuesday.
by | Jul 25, 2024 9:25 am | Comments (0)
Eleanor Polak photos
At the gallery: Sonal Soveni and her Blue Vein Mural.
On the table: a Kale-Caesar salad.
On the wall next to the entrance of The Table & Gallery, located at 1209 Chapel St., is the “Blue Vein Mural,” which encapsulates everything that the culinary and artistic space is all about.
The mural is made out of pages taken from two eighteenth- and nineteenth-century books on patriarchy and the oppression of women, covered by flowing blue shapes that recall water droplets flung into the air. An educational message is transformed into a work that evokes cleansing and freedom, as well as the idea of going with the flow.
by | Jul 24, 2024 9:19 am | Comments (1)
Even though the signs are in sync with one another, not offering contradictory information, the photograph conveys a sense of disorientation. You have to read them twice, maybe, to see that they line up. The inclusion of the house matters, too; it gives the disorientation context. What does it mean for the people who live on that block, that multiple signs tell people unfamiliar with the street layout that they’re not supposed to go there? What does it mean that there’s only one way off the block for the residents, a sense of limited options? Who made these decisions in the first place?
The picture is unsigned, but it was shot by one of 17 students from Cooperative Arts and Humanities High School and High School in the Community for “New Haven Revisited,” a photography show running through July 31 in the gallery on the lower level of the Ives Branch of the New Haven Free Public Library.
Continue reading ‘Student Photographers Roll Out (Un?)Welcome Mat’