DAVID SEPULVEDA PHOTOS
The necktie came off as Arte cofounder and chairman Daniel Diaz began a dialogue of dance and rhythm with a group of musicians playing buleadors, large barrel drums used in the traditional Puerto Rican music called Bomba.
The Latino musicians, accompanied by a dancer in her flowing white skirt and petticoat, had gathered outside Arte Inc on Grand Avenue to help kick off Hispanic Heritage Month and a new gallery exhibit entitled Latin Colors.
Arte, Inc. is a nonprofit organization dedicated to promoting Latino art, culture and education with year-round exhibitions, youth programs and educational and community events. According to Diaz, a goal of the organization and of the exhibit is “to have Latinos share their culture of diversity to help erase stereotypes, to tell kids it’s OK to be bicultural, to not be ashamed of who they are.” Diaz called the exhibit “a quilt of who we are as Hispanic Americans.”
Arte co-founder David Greco, displays Arte’s Hispanic Heritage celebration calendar of events.
Arte is celebrating Hispanic Heritage Month through its sponsorship of a series of mostly free community events in September and October that will include visiting Latino performance artists in New Haven Public Schools, a “Families and Education” forum, a Latino cooking demonstration by Cocina Cops ($10), Family Arts and Science Workshops, Hispanic Heritage Celebration event at Fair Haven K8 School, a Rosary or necklace making workshop, and a “College Bound Road Trip” for NHPS students ages 13 – 16 years. For more details click here.
The sign reads: All artwork is for sale. Exhibit is open to the public.
Before cutting the proverbial rug outside the gallery, Diaz was inside with other Arte board members greeting visitors for the opening reception of Latin Colors, an exhibit that explores the diversity, culture and spirit of Latino art through the eyes and experiences of five Hispanic artists: “Acosta, Arensberg, Casiano, Mestre, Montoya,” as listed on a colorful exhibition placard.
Of the artists on hand to meet visitors, some had had formal training in the arts, while others picked up the vocation as a response to a life event or latent interest.
Casiano with his stylized, modernist,figurative paintings.
Benjamin Casiano, a New York City born and self-described “New Yorican,” is a Pratt Institute graduate“inspired by the giants” of the art world, such as Modigliani, Matisse, and Picasso. His acrylic paintings explore two distinct realms of expression: abstraction, Rothkoesque colorfield paintings based on impressions gleaned from Long Island Sound; and simplified figurative works in which elements of line, color and form predominate. The images pay homage to women and the strong influences they have had in Casiano’s personal life and in Latin culture at large.
Acosta paints personal images, some recalled from his cultural past.
Jose Acosta, a Cuban American, said his paintings start as doodle drawings and evolve from there. Laden with symbolic imagery and the detritus of life experiences, the paintings shimmer with light reflected from “impasto,” or heavy application of paint.
Arensberg took up painting deep into her career as a fashion designer.
Mercedes Arensberg, whose mother was Cuban, said she started painting immediately after the her brother, also her muse, died from AIDS. A fashion designer by trade, Arensberg depicts themes of family, gender stereotypes and expected women’s roles in Latin America, in particular, where she lived for many years.
UB Graduate Mestre, offers a culturally-themed series of pen and ink drawings.
A graduate of the University of Bridgeport with a degree in illustration, Ricky Mestre, showed small pen and ink and acrylic illustrations depicting a series of Latin musicians, each with a different colored background that together comprise a rainbow emblematic of the diversity within Latin culture. Mestre’s work is inspired by religious iconography, Latino life, and LGBT themes.
Diaz with painting by Montoya.
Standing before a Duvian Montoya painting, Diaz took on the role of docent, pointing out the painting’s Colombian-influenced color scheme and imagery, a dichotomy of modernism and traditionalism coexisting within Latino culture. In many ways, the painting reflects the emergence of many Latinos living here as they struggle to maintain both old and new cultural traditions.
Dancing after dark took on a special festive quality.
For many Latin American artists who are born and raised in the United States, cultural adaptation is not an issue, but there often remains a need to connect with one’s roots. Art can often provide that bridge as the “Latin Colors” exhibit demonstrates.