Tom Peterson
The diagonals of light that tell time, as in an Edward Hopper diner, are one of the central subjects of Tom Peterson’s work. Every architectural surface reveals a sundial, where brightness and shadow tick away. There is something here of rendering the past as pure form, with window surfaces reflecting the moment of the photograph back upon itself.
A similar mirror effect duplicates the aftermath of this machine rumble, the participants half-conscious and gasping from the recent impact. Junkyard parking is, we are reminded here, absolutely precise. It color codes the obsolete.
For more of this artist’s work, and contact information, go to